Ferrari, Italian Art of Living

‘Wow, what a place!’ That was my first thought as I walked into the reception area of Cantine Ferrari. The displays are lavish without being tacky, loud but with style. Only the Italians can achieve this fine balance.

With so many photographs of celebrities on display, one can’t help but wonder if the winery is related to the sports car Ferrari, and the answer is no. Apparently, Ferrari is the third most popular surname in Italy, after Rossi and Russo.

Based in Trentino in northeast Italy, Cantine Ferrari is the biggest private estate in the region, now run by the third generation, the Lunelli cousins. It all began with Giulio Ferrari, an enthusiastic winemaker who had studied in Adige (Italy), Montpellier (France) and Geisenheim (Germany) and finally Epernay in Champagne (France) before returning to Trentino, a similar terroir to Champagne, in 1902 to produce his first bottles of Ferrari sparkling wine using classic champagne grapes and the metodo classico. Production was limited but the wine had a loyal base of customers. In 1952 Ferrari sold the business to Bruno Lunelli, who together with his three sons increased the production and took the Ferrari brand to new heights and international fame.

The family motto is ‘Wine is the poetry of its land’. This sums up pretty much their quest for excellence with no compromise on quality. Ferrari owns 120 hectares of vineyard and also sources grapes from some 500 families, each with less than 1 ha, in the region. Over 90% of the grapes are Chardonnay with the rest Pinot Noir. Around 5 million bottles are produced each year. I asked Marcello, the cousin in charge of production, to compare Ferrari with Franciacorta sparkling wine from Lombardy, and he said there are no hills in Franciacorta whereas in Trentino vineyards are grown in a cooler environment at altitudes between 300 and 700 m.

There are five quality levels, ranging from the non-vintage entry level with at least 24 months maturation on lees to Giullo Ferrari, the star of the estate with at least 10 years of yeast autolysis. The Perlé line, vintage sparkling, is aged a for minimum of six years on lees, and the bottles are riddled by hand. Marcello said there are on average over 20 millions bottles maturing in the cellar!

Believing wine, especially bubbly, is for celebration, Ferrari is keen to reinforce its brand image as a symbol of the Italian art of living by associating itself with successes and emotions in the worlds of art, entertainment, sport, culture and even politics, and by involving celebrities and well-known personalities as ambassadors. The photographs displayed in the reception include many familiar faces from Andy Warhol and Woody Allen to Niki Lauda and Margaret Thatcher. The family also owns the renowned Villa Margon, a 16th century complex that used to be home to cardinals and prelates and is now used as Ferrari’s hospitality centre, housing an impressive art collection.

Don’t think this is all empty talk. At the 40th Vinitaly, Cantine Ferrari was named the producer of the ‘Legendary Sparkling Wine of the 40th Anniversary’, and its top wine, Giulio Ferrari, is the sparkling wine that has won Gambero Rosso’s ‘Three Glasses’ award most times. We tried seven of the wines after touring the cellar and were not disappointed!

The Ferrari collection is:

• Ferrari NV: Brut (100% Chardonnay), Rosé and Demi-sec with at least 24 months on lees.
• Maximum: Brut, Rosé and Demi-sec, non-vintage but with 36 months on lees. Heavier palate weight suitable for accompanying a meal.
• Perlé: Blanc de Blanc, Rosé and Nero (Blanc de Noir), vintage with about 5 years on lees. Elegant finish.
• Riserva Lunelli: A vintage wine from 100% Chardonnay matured in large oak barrels and with a minimum of 7 years on lees. Rich mouthfeel with multi-dimensional flavour. Ali Nicol, author of Wine Times HK, compared the 2006 to drinking ‘soothing warm sweet butter’.
• Giulio Ferrari: 100% Chardonnay with at least 10 years on lees. Complex bouquet with precise acidity. A touch of minerality on palate and a lasting length.

Ferrari used to be available at Domani, the Italian restaurant, but sadly the latter closed down at the end of May. If you are interested, try Liquid Assets.

Sadie’s Swartland Old Vines Series

"Make wine like tea, not like coffee"; ‘Putting wine in barrel is putting barrel inside wine’". These sayings sum up the winemaking philosophy of Eben Sadie, one of the most passionate South African winemakers I have been lucky enough to meet. He said he used to make big, pitch dark, oaky wines but now prefers to see finesse and elegance in a wine, without too much extraction (hence making wine like tea, not coffee). Of course he uses oak, but only old big, old barrels.

Eben has actually spent a fair amount of time outside South Africa, including ten years in Priorat, Spain. Maybe this explains why he appreciates old vines and makes Grenache and Cinsault. He is one of the pioneers in the Swartland region, with its Mediterranean climate and, even better, lots of neglected old vine parcels. He keeps looking out for such plots and, once he finds one he likes, he nurtures it back to health using natural composts, never man-made chemicals. His goal is to make wine that reflects the history and terroir of the plot, so he doesn’t blend wines. A couple of plots may be planted with different varieties and he will just ferment them together—a technique known as field blending.

The dry weather in Swartland means mildew is not an issue in the vineyard, but sunburnt grapes are. In the winery the grapes are sorted meticulously to make sure all sunburnt grapes are discarded as Eben doesn’t like the overripe, caramel taste they impart. He uses no chemicals, no filtration and no fining except for the 60ppm of sulphur dioxide that is necessary to ensure stability during a voyage over the equator.

Eben’s new range of wine, Ouwingerdreeks (meaning 'Old Vines Series' in Afrikaans), is made from some of those forgotten old vine parcels. He was in Hong Kong recently to present the 2012 vintage. All the wines have a purity of fruit, an elegant structure and not-overpowering aromas that make them perfect for food pairing.
 
The Ouwingerdreeks Range has a simple classic label design that conveys the down-to-earth character of the wines. But we noticed that each wine has a different colour wax seal, and it turns out there is a story behind that:

Pofadder: 100% Cinsault from 50 year old vines. Eben reckons Cinsault can only be made into good quality red wine when the vines are old. Young Cinsault should only be used for rosé. The wine has a black seal because the name means puff adder, a venomous black snake found in Africa.

Soldaat: 100% Grenache from 48 year old vines at 700m altitude. It is the altitude that gives the wine its freshness. Soldaat means soldier and the highest military honour is purple colour hence the purple wax seal.

Treinspoor: 100% Tinta Barocca (Tinta Barroca) of Portuguese origin. Eben describes the wine as a blend of Cote Rotie and Piedmont—the spicy, blue berries of Syrah combined with the tannin of Nebbiolo. The silver wax seal is derived from the name Treinspoor, meaning railway.

Skerpioen: A field blend of Chenin Blanc and Palomino from 66 year old vines. Eben swears that the saline taste (from the Palomino perhaps?) is heaven when paired with oyster cooked with lime peel and almond, one of his home-made dishes. The white wax seal recalls the chalk soil where the grapes are grown.

Skurfberg: 100% Chenin Blanc from an 88 year old vineyard 300 km from the winery. This one has 14% alcohol but is well balanced and supported by a fresh acidity and elegant fruit and perfume. It has a red wax seal because the plot is on red soil.

T Voetpad: A field blend of Semillon, Semillon Gris, Palomino, Chenin Blanc and Muscat d’Alexandria grown in one of the oldest vineyards in South Africa: the plot was planted between 1887 and 1928! A wine full of concentration that can certainly age gracefully. The yellow wax seal reflects the vineyard’s yellow footpath (Voetpad in Afrikaans).

Mrs Kirsten: 100% Chenin Blanc from the oldest vineyard in Stellenbosch, planted in 1905. According to Eben the pleasant oxidative character is a characteristic of the vineyard. Only 480 bottles are made each year. Why the orange wax seal? Simply because the owner of the plot, Mrs Kirsten, likes orange.

All these wines, of which only a few hundred cases are made per wine, retail here at just HK$200-240 per bottle, with the exception of the Mrs Kirsten ($740/bottle). These are some of the very best value wines I have ever had and, for once, I found myself begging a producer to increase his prices to be in line with consumer expectations (I suggested $280-$350/bottle)! Eben responded that wine is a living thing and he sees his work as agriculture—not agri-business. He just wants to make wine that brings pleasure to consumers. He would much prefer us to drink two bottles per night at a lower price than just one at a higher price ... but then Eben, you don’t make enough wine to satisfy the market!

Anyway, I’m stocking up now. If you want to do the same, Eben’s Ouwingerdreeks Range from The Sadie Family is available from Berry Bros & Rudd.

A snapshot of the German South

When talking about German wine, the first thing that comes to mind is often the elegant Riesling from Mosel or Rheingau. But actually there are a lot of hidden gems in the southern regions of Pfalz and Baden. I was delighted to see a few for myself during a recent trip there.

Riesling, the flagship of German wine, is grown in the south but it tends to be the less sweet kinds because of the warmer weather. Acidity is not as high as in Mosel and hence doesn’t need the sugar to balance it. However, there is more than just Riesling here. The mild climate allows red grape varieties to flourish, the most notable being Pinot Noir (Spätburgunder), although Merlot and Cabinet Sauvignon are also grown.

I was with a group of sommeliers and journalists from Hong Kong and China. We visited eight wineries in three days, including:


Weingut Albert Glas, Essingen, Pfalz

A family winery established in 1950 and run by three generations. Grandson Dominik Glas is the one in charge of this 15ha vineyard located in Pfalz—considered the ‘Tuscany’ of Germany because of its mild climate. With a small production and limited resources, Dominik realised he should not spread himself too thin to cover all export markets so he focuses only on one, China. Bravo Dominik!

I like his wines because he clearly made them with the consumer in mind. Secco Passionfruit (a sparkling wine with...erh... passionfruit flavour, a surprisingly refreshing wine dismissed by wine snobs but loved by young consumers); Just Rosé ‘Black Label’ 2013 (a QbA category wine made with 100% Merlot and loaded with red fruits —and fun, according to Dominik.)

And don’t think Dominik only makes half-serious wines! We had the privilege to try his Cuveé Red ‘Grand Reserve’ 2011, a new, not yet named, wine. It is a blend of Pinot Noir, Merlot and Dornfelder with ample black fruits supporting the vanilla and cinnamon from the new oak, while the tannin from Dornfelder provides the structure for ageing. Only two barrels (600 bottles were made).

We were later taken in the back of his truck to the vineyard for a tasting of his eiswein with a view, and then treated to a homemade lunch by his parents. Their enthusiasm is visible everywhere. I wish them the best of luck in China!

Weingut Salwey, Oberrotweil, Baden
Another family winery also founded in 1950, the vineyard is located at Kaiserstuhl (Emperor’s Chair), a range hills of volcanic origins about 600m high. Owner Konrad Salwey first took us to the terraced vineyards via a steep and winding road where we were rewarded with a panoramic view and Konrad's explanation of the geography and soil type in the area, before returning to the cellar to taste samples from tank and barrel.

The best and the most typical grapes in Baden are the Pinot family. We tried tank samples of Pinot Gris (Grauburgunder) from different soils and it was just amazing how different they were. Loess lime soil, being more fertile, gives a more ripe fruit aroma while volcanic soil contributes a mineral character. This shows how much impact soil has on wine. We also tasted Pinot Noir from different vintages to see how weather affected the wine. Thanks Konrad for a very educational morning.

Lunch, beautifully presented, was prepared on a make-shift table by a renowned chef, another well-thought-out bit of hospitality from Konrad.

Weingut Dr. Heger, Ihringen, Baden 

Yet another family winery, now in its third generation, run by Joachim Heger. The vineyards are located at Ihringer Winklerberg and Ackharrer Schlossberg, considered the warmest vineyard areas in Germany. The ripeness of fruit in the wine is elegantly supported by the structure so the wine feels balanced rather than heavy.

Winemaker Markus Mleinek showed us the cellar and I was surprised to learn that the German oak barrels are not toasted. The purpose of toasting is to remove harsh wood tannins but it will, at

Winemaker Markus and owner Joachim

the same time, impart toasted aromas (vanilla, cinnamon, coffee, etc depending on the level of toasting). German winemakers don’t want the toasted aroma (particularly in their Riesling) so the barrels are instead steamed to take out the harsh wood tannins. I learn something new every day!

We tasted 10 wines, including all colours of pinots (Weissburgunder, Grauburgunder and Spätburgunder). I particularly liked the 2012 Dr Heger Ihringer Winklerberg Weissburgunder

VPD Erste Lage for its creamy mouthfeel (the result of lees stirring or battonage) and the mineral, slightly savoury taste (from the volcanic rock the vines are grown on). The Mimus Spätburgunder is in memory of Joachim’s father Wolfgang, whose nickname was Mimus and who passed away in 2004. The 2011 we tasted, also from the Ihringer Winklerberg vineyard, had intense black fruit and well integrated spices from the 18 months ageing in French barrique, yet a mineral touch on palate. An elegant wine that combined the best of Old and New worlds.

Dr Heger is available from Schmidt Vinothek.


Riesling no doubt is the king of wine in Germany, but don’t overlook other equally interesting wines!

White pepper Syrah

The intense white pepper from the Craggy Range Syrah that I tasted in their cellar at Gimblett Gravels back in 2008 was so pronounced that I finally understood why Syrah is so often characterised as smelling of white pepper. Since then, I have always kept an eye out for Gimblett Gravels Syrahs and they have not disappointed.

This distinctive aroma can be attributed to the combination of the gravelly soil and the climate—free draining, warm days and cool nights. It is more akin to the Northern Rhone style than the full-bodied, jammy Shiraz from warmer regions. However, being New Zealand, the wine is more vibrant than Hermitage. To me, it is a perfect combination of climate, soil and winemaking technique.

At last year Gimblett Gravels Annual Vintage Selection tasting, Tony Bish, Chairman of  the Gimblett Gravels Winegowers Association, presented 12 wines—eight red blends and four Syrahs independently selected by Andrew Caillard MW—that best represented the vintage and the region. I was particularly impressed by the William Murdoch and Vidal Legacy Series. A couple of attendees remarked "... Gimblett Gravels is a fresh spring for me", and "...it was exciting to taste so many promising Syrahs from the region". I couldn’t agree more.

If anyone is scratching his head about how to identify white pepper in Syrah, get a Gimblett Gravels Syrah and you’ll never forget it. It is my favourite Syrah!

Once dismissed by sheep farmers as useless land, the Gimblett Gravels Wine Growing District is an 800ha vineyard area strictly determined by the gravelly soils laid down by the old Ngaruroro River in the Hawke’s Bay area of of New Zealand’s North Island. Believed to be the first designation for a winegrowing district outside Europe, it is now home to around 30 vineyards and is quickly gaining fame in the wine world.

Not to be outdone by the district's Syrahs are its Bordeaux blends. They have the structure of a cool climate region but again with a New World fruit forwardness that many have described as elegant and sophisticated. Although some of the wines at the tasting were too young to drink, they nevertheless had concentration and ageing potential. Asked if the wines were released too early, Tony agreed but said the wines have been kept for two years and most wineries cannot afford to store them for longer because they need the space and the cash for the new vintage. He hopes consumers can cellar the wines for a while to realise their full potential. Well, I suppose we have to be a little patient.

The wines we tasted were:

Blended reds (Merlot or Cabernet Sauvignon dominant):
Babich The Patriarch, available from Watson’s Wine
Craggy Range Te Kahu, available from Montrose
Esk Valley Winemakers Reserve Merlot Malbec Cabernet, available from Summergate
Mills Reef Elspeth Cabernet Merlot, available from Northeast
Newton Forrest Stony Corner, available from Kerry Wines
Sacred Hill Brokenstone, available from Jebsen
Sacred Hill Helmsman, available from Jebsen
Trinity Hill The Gimblett, available from ABS Asia

Syrah:
Squawking Magpie Stoned Crow
Vidal Legacy Series, available from Asia Euro
Villa Maria Reserve, available from Summergate
William Murdoch, available from Vintage International