Interview with Boschendal’s lady winemaker

Lizelle Gerber, the white winemaker of Boschendal, joined the wine industry quite accidentally. She was in the military while visiting a friend at Elsenburg College, an agricultural college in Stellenbosch with a fully operational winery. Knowing that she likes outdoor and practical training, she signed up for the winemaking course even though she grew up in a family where drinking wine was not the norm. She considered it a challenge and she likes challenges.

Lizelle never looked back. Her winemaking career started at Zevenwacht Estate (South Africa), a harvest in Alsace (France) and followed by a few years at Avontuur (South Africa) where her wines won numerous awards. She eventually joined Boschendal, one of the original wine farms in Franschhoek, South Africa and the most premium DGB’s brand, in 2006. She is responsible for its Méthode Cap Classique (MCC, sparkling wine made in traditional method), all white wines and the entire Elgin series. The Elgin Pinot Noir is the only red wine she made in Boschendal.

MCC is something that is dear to Lizelle, probably because two of her sparkling wines she made during the first vintage at Boschendal were highly recognised. The Grand Cuvée Brut 2007, a blend of Pinot Noir and Chardonnay that has spent 36 months on lees, won a double gold at Veritas Awards 2011, while Jean Le Long 2007, a blanc de blanc with 60 months on lees, was awarded a silver medal in Veritas Awards 2013. Lizelle is particularly proud of the latter. The Chardonnay grapes were selected from old vines from the cooler sites and only 500 litres of juice was extracted from one ton of grapes. Supported by crisp acidity, the wine has an array of aromas from citrus and dry lemon peel to biscotti that intermingles with the fine bubbles.

Lizelle also showed us her latest wine, Rachel’s Chenin Blanc 2015, that was just off the bottling line a few weeks ago. Chenin Blanc, although originated from Loire, has the most planting in South Africa. It is diverse and the style can range from fruity and easy drinking to oaked aged with ageing potential. Rachel belongs to the fruitier style but with a twist. 10% of the wine was fermented in old oak barrels to add a bit of texture and give a round mouthfeel. It paired beautifully with the scallop tartar but also stood up to the panfried foie gras that we had for dinner, demonstrating the versatility of the variety.




The Elgin series is Lizelle’s baby. She developed it back in 2008 with the aim of
producing a portfolio of super premium appellation specific wines from single vineyard sites that expresses the Elgin’s cool viticultural climate. It took her five years to bottle the first wine in 2013. Of the three wines from the series, Lizelle found the Sauvignon Blanc the most challenging and satisfying - to rein in the pungent aroma and prolong the ageability. She certainly overcome the challenge as the first vintage (2012) was awarded the gold medal at The Michelangelo International Wine Awards 2013.

How about female winemakers in a male dominated world? Lizelle said when she was at Elsenburg, there were only two female students in a group of 12. Women have had to work three to four times harder to prove themselves. She witnessed the acceptance of female winemakers over the past 15 years and now they are just viewed as fellow colleagues, without any gender issue. At Elsenburg today, the male and female students split is about half.

Given her passion for MCC, Lizelle urged wine lovers to give it a try. Most of them are better than the entry level champagne but at less than half the price. The more serious ones, like the Jean Le Long, can certainly rival the prestige bubbly. She also insisted that we should not just call the wine South African sparkling, the official name is Cap Classique!

She also remarked on Pinotage, a cross between Pinot Noir and Cinsault created in South African that has a love-hate relationship with both winemakers and consumers. It is true that the earlier Pinotage was a hit and miss but with better understanding of the grape variety and improvement in winemaking technique, Pinotage proved to be a versatile variety which can be made into various style of wine from easy drinking to one with longevity.

Established in 1685, this year is the 330th anniversary of Boschendal Estate, the second oldest estate in South African and only two months younger than its bigger brother Groot Constantia. Celebrate its birthday with a glass of Lizelle’s Cap Classique, or even better, pay a visit to its historical manor house in Franschhoek!

Boschendal is available from Royal Oak.

All that sparkles is not Champagne

It’s that time of the year again when sales of bubbly are traditionally at their highest. Despite the doom and gloom of the economy, people, especially wine lovers, do like to indulge. However, enjoying bubbly does not need to break the bank. There are plenty of good quality sparkling wines outside Champagne that one can enjoy all year round.

Champagne is expensive for a few reasons. The first is production. Secondary fermentation, where the bubbles are created (called the Traditional Method), occurs in the same bottle. The wine is then aged on lees, a procedure called yeast autolysis, to develop the bready and biscuity notes. The longer this period is, the more pronounced the yeast autolysis characters. By law, non-vintage champagne has to be aged on lees for a minimum of 12 months and vintage champagne for at least 36 months (and often much longer). The second reason is climate. Champagne is in a marginal grape growing area where grapes, when fully ripen, can still retain high acidity—a prerequisite for good sparkling wine. And last but not least is marketing. Only sparkling wine produced within the Champagne region can be called Champagne, and this helps build the aura of exclusivity around it. A lot of sparkling wine outside Champagne is produced using the same Traditional Method but only costs a fraction of the price. Admittedly, a fine Champagne often has more finesse because of the marginal climate, complex blending and use of reserve wine, that set it apart from the rest, but one should not dismiss the other sparklers as lesser quality.

Crémant is another French sparkling wine outside Champagne. It is made by the traditional method, using whole bunch pressing with extraction limited to 100litres of juice from 150 kilograms of grapes—exactly the same stringent approach as in Champagne. The wine has to spend a minimum of nine months on lees and the grapes are generally the best from the region for making still wine (the permitted grapes for Champagne are Chardonnay, Pinot Meunier and Pinot Noir). Crémant de Loire is usually made from Chenin Blanc, or Pinot Noir; Crémant d’Alsace from Pinot Blanc, Pinot Gris, Pinot Noir and sometimes Riesling; Crémant Limoux, from the high altitude of Southern Languedoc, is made from Chenin Blanc and Chardonnay. Retail prices of Crémants are in the region of HK$200/bottle.

Most of us know Cava, a sparkling wine from Spain made in the traditional method with a minimum of nine months ageing on lees. Most Cava uses the indigenous grape varieties Xarel-lo, Parellada and Macabeo for whites, and Garnacha (Grenache) and Monastrel for rosés. Chardonnay and Pinot Noir are also permitted. Cava has distinctive earthy notes (some say rubbery) because of the Xarel-lo. Most Cava is not for ageing, hence its modest price of just over HK$100/bottle. Segura Viudas Reserva Heredad, with up to four years on lees, is a steal at less than HK$200/bottle (Watson’s).

The New World, including Australia, New Zealand and the US, also produce good quality sparkling wine using Champagne grape varieties in the traditional method. The best comes from cooler regions of Tasmania, the Adelaide Hills, Marlborough and Carneros, all displaying riper fruit characters but a less defined structure than Champagne, but there are nevertheless some top quality New World sparkling wines that can rival Champagne. Cap Classique from South Africa uses mainly Chardonnay, Pinot Noir and Chenin Blanc following the ‘champagne’ method. Serious Cap Classique producers are members of the Cap Classique Association and some are available in Hong Kong. And for something out of the mainstream, try Casa Valduga from Brazil (importer Wine Patio).

In my view, the two outstanding sparkling wines outside Champagne are English sparkling wine and Franciacorta DOCG from Italy. Both have the elegance and finesse of Champagne. Southern England has similar soil (chalk) to Champagne and climate change now enables England to ripen Champagne varieties reliably to make top quality sparkling wine. English sparkling wines are scooping awards in international competitions and have beaten Champagne in various blind tastings. The problem is quantity, as demand is outstripping supply. The few I have tried and like are Ridgeview and Camel Valley, both available in Hong Kong, plus Nyetimber and Bluebell (not yet in Hong Kong). Franciacorta, made with Chardonnay, Pinot Noir and Pinot Bianco, must be aged on lees for a minimum of 24 months for non-vintage and 36 months for vintage.

Sparkling wine can also be produced using the Charmat or Tank method, meaning secondary fermentation takes place in a pressurised tank rather than in bottle. Charmat method wine usually spends no or minimum time on lees so production cost is considerably reduced. This method is particularly suitable for aromatic grape varieties where wine reflects the varietal aromas rather then the yeast autolysis characters. These wines should be consumed young and fresh. The most popular in Hong Kong is the Italian Prosecco with fresh aromas of apple and melon. Priced at about HK$100+/bottle, it is definitely value for money, particularly the DOCG which is of better quality. Another is German Sekt, the best being made from Riesling, although some serious producers make it using the traditional method.

The rising stars among sparklers are Asti and Moscato d’Asti from Italy with only one fermentation. They are highly aromatic with lower alcohol (7-7.5% and 5%), medium sweetness and less pressure, popular among young consumers.

With so many choices and reasonable prices, bubblies do not need to be saved for celebrations only. Enjoy one now.


Abridged version was published in the South China Morning Post on 12th December 2012

South Africa - Variety is in our Nature

I have always had a soft spot for South Africa. My first time there was in 1996. After a few weeks on the road driving around the canyons, Kruger and the Garden Route, we finally arrived at Stellenbosch where we spent a week tasting wine every day, duly starting at 9:00am when the cellar doors opened. Since then, I have been back to the Stellenbosch area five times and have had the privilege of doing vintages at Ashanti and Thelema.


Therefore it was great news that Wines of South Africa (WOSA), was finally organising a long overdue South African wine tasting in Hong Kong recently. 29 wines from Cap Classique and Chenin Blanc to Bordeaux blends and Pinotage were presented to packed audiences in two sessions: the trade masterclass with tutored tasting in the afternoon and a consumer walk-around tasting in the evening.