Showing posts with label Northeast. Show all posts
Showing posts with label Northeast. Show all posts

Friday, 14 October 2016

Welcome back Klein Constantia!

Klein Constantia, dating back to 1865, is one of the most historic wine estates in South Africa. It was part of the vast farm founded by Simon van de Stel, Governor of the Cape of Good Hope, and the home of the legendary Vin de Constance, the sweet wine made from Muscat Blanc à Petits Grains (Muscat de Frontignan) grapes that has melted the hearts of European kings, emperors and the famous including Louis Philippe, Frederick the Great, Napoleon, Charles Dickson and Jane Austen.

The road of Klein Constantia is not always smooth. After its heyday in the 18th and 19th century, the vineyard was attacked by phylloxera and in 1865, Constantia winemaking ceased and the estate changed hands a few times. It was only until 1979 when Duggie Jooste bought and revived the farm. Finally in 1985, the first modern vintage of Vin de Constance, a recreation of the original mythical Constantia sweet wine, was released with much international acclaim. Since 2011, Klein Constantia has been under the ownership of Zdenek Bakala and Charles Harman, who are determined to bring the estate back to its former glory.

Vin de Constance has also been disappeared from Hong Kong for one year. Wine lovers will be glad to know that it has returned under the care of Northeast Wines & Spirits. Even better is that this icon wine is being accompanied by en entourage of cool climate Klein Constantia Estate Wine: Sauvignon Blanc, Metis Sauvignon Blanc, Chardonnay, Riesling and Estate Red Blend. I was pleased to be one of the first to try these wine when they landed in Hong Kong.

Both Sauvignon Blancs were outstanding and elegant. The Sauvignon Blanc 2015 was more expressive while the Metis Sauvignon Blanc 2014, inspired by Sancerre winemaker Pascal Jolivet, emphasised more on the texture. The Chardonnay 2014 was distinctive and complex and the Riesling 2015 was lively. The Estate Red 2013, a blend of Cabernet Sauvignon, Petit Verdot and Malbec, was well integrated with spices and dark fruits. All the wines had savoury finishes that added extra dimensions. The price? all retailed at a bargain under HK$200/bottle!

Finally, we tasted the Vin de Constance 2012 with multi-layers of aromas from apricot to nutmeg. It was rich but not heavy, and had a long lively finish. Apparently, there is only limited allocation for Hong Kong so get yours quick before it is sold out. 

Klein Constantia Estate Range and Vin de Constance is available from online wine club wine’n’things. Even better, wine'n'things is running a South African wine promotion to celebrate South African Braai Month until end of October. Check it out now.

Friday, 4 September 2015

Lunch with Rathbone: PinotG, Chinese food pairing

Most of us know Pinot Grigio and Pinot Gris are the same - both means Pinot Grey in English. Pinot Grigio is Italian and the bulk comes from Northern Italy which is usually lighter and simpler, while Pinot Gris is from Alsace in France and is more opulent and fruitier. Pinot Grigio is usually the one featured as house wine or wine by the glass, while Alsacian Pinot Gris is usually available by bottle at a higher price. So it was surprising that Darren Rathbone, CEO and Group Winemaker of three Australian wineries: Yering Station, Mount Langi Ghiran and Xanadu, said the opposite.

It was a small lunch hosted by Darren with the Northeast team where his Mt. Langi Ghiran Cliff Edge Pinot Gris 2010 was featured. It has only 12% alcohol so I asked why the wine was called Pinot Gris instead of Pinot Grigio. To my surprise, Darren actually thinks that Pinot Gris is the lighter one and Pinto Grigio the heavier one. In fact, he said he has organised blind tastings where consumers and winemakers alike always confuse the two. Granted, this wine, although was light, did have a dense texture, stone fruits and spices aromas of a Pinot Gris probably because it has been aged in old barrels for a short time. No wonder it could stand up to the steamed dumpling with pigeon and porcini mushroom (牛肝菌乳鴿小籠飽).

Australian and New Zealand produce all shades of Pinot Gris/Pinot Grigio. Because of this many variations, the Australian Wine Research Institute (AWRI) developed a PinotG Style Spectrum from crisp to luscious to differentiate them. I hope more wineries, from both New and Old World, could adopt this to make it easier for consumers.

By the way, the lunch with Darren and the Northeast team was really entertaining. The plan was to pair each wine with a dish but luckily Betsy from Northeast at the last minute decided against it. Instead, the three white wines were served together with the first four dishes (dim sum and seafood), followed by a flight of three red wines with the remaining four courses. I’m all for this approach as everyone has different palate and it will be too uniform to only follow one way of wining and dining.

The verdict was consistent. All the three wines matched with dim sum but we agreed that the Yering Station Reserve Chardonnay 2010, was the best overall match. Its multi-dimensional flavour and creamy texture went nicely with the fresh yet intense flavours of deep-fried scallop and prawns.

The rest of the dishes, Cantonese barbecued combination and deep fried chicken, were matched with three reds. Both the Xanadu Estate Cabernet Sauvignon 2012 and the Mt Langi Ghiran Langi Shiraz 2006 were winners. Betsy was pleasantly surprised that the Cabernet went well with the sautéed kale in ginger sauce. It made sense because the kale was quite intense, nothing like the average stir-fried or steamed vegetables.

As a wine, the Yering Station Village Pinot Noir 2011 was great. It was elegant but the food were too overpowering. In my opinion, it would go better with the dim sum and seafood.

Once again, it proved that wine and food matching is not that difficult. The palate weight is the crucial point. We just have to remember that light food goes with light wine, and heavy food goes with heavy wine, and don’t be shy to have two glasses of wine of different palate weight with your Chinese meal to match with your food.

Yering Station, located in the cool Yarra Valley, is the first winery that the Rathbone’s family purchased. Looking for wine to compliment those from Yering Station, the family subsequently bought Mount Langi Ghiran in the Grampians, another cool climate region renowned for Shiraz, as well as Xanadu in Margaret River for its elegant Bordeaux blends (both white and red). All the wines are available from Northeast Wines & Spirits.

Friday, 23 January 2015

The power of label

At the recent Northeast portfolio tasting, I came across Finca Piedras Andinas. It caught my eye not because it was the only Argentinian wine represented but because of its label.

I asked Hernan Castro Matias, the producer's manager based in Hong Kong, if the graphic on the label had any meaning, perhaps associated with the name—Finca Piedras Andinas means house of Andean stones. Hernan said no, it is just a modern simple graphic that people can interpret freely and subjectively. For him, it is the stem of a wine glass. For me, it’s a chair. And someone else saw it as an abstract of a grape.

That is the power of a good label. It stands out from the crowd, gets people talking about it, and very likely gets the bottle picked up and purchased. Some wine professionals dismiss consumers who shop by label, insisting that one should buy wine based on knowledge of the region, grape varieties, styles and producers. But the reality is that there are so many wines in the market and most consumers only have limited wine knowledge. Unless there are salespersons hand-selling the wine, how can the ordinary consumer navigate the kaleidoscopic wine world?

I’m all for choosing by label. At least it encourages consumers to explore wines they haven’t tried rather than just sticking with the same few brands they always buy. I admit that I shop by label without feeling ashamed. I was in Barolo last year and went to a wine shop and picked three cases of Barolo by label alone—labels that I liked the look of but hadn’t seen in Hong Kong. I didn’t know all the producers and I certainly didn’t want to buy anything that was available in Hong Kong.

Of course it is true that the label alone may sell once but it needs quality to ensure repeat purchases. The label can't supersede quality as the most important attribute of a wine purchase but it does help the wine to speak up. What's more, a good label is not just something arbitrary, dreamt up by a designer who doesn’t know the wine. It is the bridge between consumer and wine and it should convey the history, the story and the philosophy of the wine.

So back to Finca Piedras Andinas. Yes, the graphic looks like a chair to me but the whole label is very modern and clean. The stroke is powerful yet elegant. It doesn’t look as though the wine is from a winery with hundreds years of history but rather it is one made by energetic young winemakers with only one mission in mind—to make a good wine.

So, what’s the verdict? Finca Piedras Andinas Malbec 2013 is well balanced, with layers of fruit supported by lively acidity. It is full-bodied yet not heavy. I think the label conveys the story very well. The winery is a family-run business located in the Uco Valley in Mendoza at some 1,000m above sea level. It used to sell grapes to other big name estates and only recently started producing wine under its own label. The wine's quality certainly lives up to the standout label and I’m glad that I spotted it.

So don’t hesitate, shopping for wine by label should not be embarrassing. Loosen up, happy shopping and exploring!

Finca Piedras Andinas is available from Northeast.

Monday, 29 December 2014

Annual portfolio tastings

The last quarter of the year is always busy on the Hong Kong wine scene. In addition to the mega events like Wine & Dine and the Hong Kong International Wine & Spirits Fair, both in November, there are James Suckling’s Great Wines of the World and Great Wines of Italy, Wine HK and more. For a fee, wine lovers can taste hundreds of wines, among them many award-winners, some available in Hong Kong, some not, and some poured by the winemakers or owners themselves.

But amid all these high profile events it's easy to lose sight of local importers’ annual portfolio tastings. In October and November alone there were at least six such tastings: Wellspring, Kerry Wines, Armit Wines, Northeast, Altaya and BB&R's Italian portfolio. Usually the afternoon session is reserved for the media and trade while the evening is open to the public. And yes, for a small fee, wine lovers can taste a wide range of wines, some award-winning and some poured by the winemakers or owners themselves, and all the wines tasted are available, or soon to be available, in Hong Kong.

Mega wine events and high profile wine tastings are fun to go to, but portfolio tastings are often more practical for regular drinkers as they let you identify the strengths of each importer and the wines they carry, so you know where to get what wines for which occasion. And don’t think that most importers carry pretty much the same things; you’ll be surprised by the diversity of some and the specialities of others. Plus of course there are both big and boutique importers who stock very different styles and ranges. Some portfolio tastings also have winery representatives present who are happy to answer any questions related to their wines. Even when there are no wineries representatives, the whole team of importer staff is always on hand to assist. Because portfolio tastings are comparatively less crowded, you will also get more attention from the people behind the counter, a plus if you have a lot of questions.


Actually, not all annual portfolio tastings happen in Q4. There are some in other months, such as VinoVeritas in March, Continental Wines in May and Wine High Club in August. I’m sure there are a lot more that I haven’t mentioned here but keep an eye on the Wine Times HK Event page, or various Facebook pages: Hong Kong Wine Lovers, Hong Kong Wine & Food and HK Wine Fans. Of course the most direct way is to get onto the mailing lists of importers.

Happy New Year and Happy tasting!

Here are my impressions of the various annual portfolio tastings I have attended this year (Apologies if I missed anyone out):

  • Altaya: Probably the biggest such event with some 70 wineries present. Heavily French biased but not short of famous names. Consumers were queuing outside one hour before it started!
  • Armit Wines: A decent collection skewed towards the Old World. There were both big and small names and some from off the beaten track too. 
  • BB&R Italian wine tasting: If you are a fan of small Italian wine producers, you'll love this. All wines were carefully selected by David Berry Green, BBR's Italian wine buyer.  
  • Kerry Wines: Another big event featuring about 50 wineries mostly from the Old World (France, Italy and Spain). 
  • Northeast: The most lively and cosy event with wines mainly from the New World and a range of craft beer and cider. 
  • Red Mill: Mainly Lebanese wine, shown alongside Northeast’s. If you want something different, this is it. Definitely worth trying.
  • VinoVeritas: Italian wine specialist. This tasting was memorable because it was held at Colour Living, a lifestyle store featuring stylish kitchen and bathroom furnishings. 
  • Wellspring: A French dominated portfolio, but don’t be put off as its Bordeaux and Burgundy ranges are really good value. Look our for their Italian and German producers.
  • Wine High Club: A fine wine merchant with a focus on France. Their sparklings and champagnes are definitely worth a try.  

Saturday, 7 June 2014

White pepper Syrah

The intense white pepper from the Craggy Range Syrah that I tasted in their cellar at Gimblett Gravels back in 2008 was so pronounced that I finally understood why Syrah is so often characterised as smelling of white pepper. Since then, I have always kept an eye out for Gimblett Gravels Syrahs and they have not disappointed.

This distinctive aroma can be attributed to the combination of the gravelly soil and the climate—free draining, warm days and cool nights. It is more akin to the Northern Rhone style than the full-bodied, jammy Shiraz from warmer regions. However, being New Zealand, the wine is more vibrant than Hermitage. To me, it is a perfect combination of climate, soil and winemaking technique.

At last year Gimblett Gravels Annual Vintage Selection tasting, Tony Bish, Chairman of  the Gimblett Gravels Winegowers Association, presented 12 wines—eight red blends and four Syrahs independently selected by Andrew Caillard MW—that best represented the vintage and the region. I was particularly impressed by the William Murdoch and Vidal Legacy Series. A couple of attendees remarked "... Gimblett Gravels is a fresh spring for me", and "...it was exciting to taste so many promising Syrahs from the region". I couldn’t agree more.

If anyone is scratching his head about how to identify white pepper in Syrah, get a Gimblett Gravels Syrah and you’ll never forget it. It is my favourite Syrah!

Once dismissed by sheep farmers as useless land, the Gimblett Gravels Wine Growing District is an 800ha vineyard area strictly determined by the gravelly soils laid down by the old Ngaruroro River in the Hawke’s Bay area of of New Zealand’s North Island. Believed to be the first designation for a winegrowing district outside Europe, it is now home to around 30 vineyards and is quickly gaining fame in the wine world.

Not to be outdone by the district's Syrahs are its Bordeaux blends. They have the structure of a cool climate region but again with a New World fruit forwardness that many have described as elegant and sophisticated. Although some of the wines at the tasting were too young to drink, they nevertheless had concentration and ageing potential. Asked if the wines were released too early, Tony agreed but said the wines have been kept for two years and most wineries cannot afford to store them for longer because they need the space and the cash for the new vintage. He hopes consumers can cellar the wines for a while to realise their full potential. Well, I suppose we have to be a little patient.

The wines we tasted were:

Blended reds (Merlot or Cabernet Sauvignon dominant):
Babich The Patriarch, available from Watson’s Wine
Craggy Range Te Kahu, available from Montrose
Esk Valley Winemakers Reserve Merlot Malbec Cabernet, available from Summergate
Mills Reef Elspeth Cabernet Merlot, available from Northeast
Newton Forrest Stony Corner, available from Kerry Wines
Sacred Hill Brokenstone, available from Jebsen
Sacred Hill Helmsman, available from Jebsen
Trinity Hill The Gimblett, available from ABS Asia

Syrah:
Squawking Magpie Stoned Crow
Vidal Legacy Series, available from Asia Euro
Villa Maria Reserve, available from Summergate
William Murdoch, available from Vintage International

Saturday, 12 April 2014

The graceful lady behind Grace Koshu

Gosh, she must be one of the most elegant lady winemakers I have met! Ayana Misawa, from the fifth generation at Grace Wine in Yamanashi Prefecture, about 100km from Tokyo and north of Mt Fuji, was in town recently to present her wine.

Trained in Japan, Bordeaux and Stellenbosch, and having worked in Argentina, Chile, Australia and France, young Ayana (I reckon she is only in her early 30s) is now the chief winemaker at Grace Wine. However, being one of the very few female winemakers in male dominated Japan, it is not easy. Ayana is determined, certainly confident yet sensitive. I was discussing with someone about the feminine side of wine lately and Ayana is definitely a representative, and probably an inspiration to a lot of like-minded Asian women.

Her spirit is reflected in the wines. They are refined and delicate, yet have character. The Cuveé Misawa Rouge, a blend of 65% Cabernet Sauvignon and 35% Merlot sadly not available in Hong Kong (yet), is the combination of New World fruitiness and Old World restraint minus the high tannin, definitely worth the ¥6,000 per bottle (about HK$500-600 if available here).

Koshu (甲州), an indigenous grape in Japan, is as delicate as the lady herself. Ayana’s father was the pioneer in replacing the pergola trained Koshu with vertical shoot positioning (VSP), resulting in lower yield and much more concentrated fruit. I was surprised to learn that summer temperatures can be as high as 35ºC in Yamanashi, yet Koshu only has about 11-12% alcohol thanks to its naturally low sugar level. Ayana further improves it by fermenting it in stainless steel tanks or old barrels and without lees ageing to make a refreshing vibrant wine. My first impression of Koshu was that it was vaguely reminiscent of Mosel Riesling but Ayana is more right to compare it with Hunter Valley Semillon.

Koshu, with its delicate palate, certainly pairs well with Japanese sashimi. Ayana reckons it would also be a perfect match with Cantonese cuisine. I can see myself enjoying it with poached prawns, steamed bean curd and light stir-fried dishes. We tried two Koshus: Grace Gris de Koshu and Grace Koshu. The latter, with a slightly fuller body, is clearly my favourite.

Grace also has a very well-made barrel fermented Chardonnay and a fruity Kayagatake Rouge (a blend of Muscat Bailey-A, Cabernet Sauvignon and Merlot). And if you have a sweet tooth, don’t forget its surprisingly fresh Kerner Late Harvest!

By the way, Ayana confirmed that in Japan they do indeed have an individual umbrella over each bunch of grapes to shelter it from rain, and which is closed when the sun comes out. Jees, this can only happen in Japan!

And thanks Gonpachi for the lovely lunch.

Grace Wine is available from Northeast.

Sunday, 2 June 2013

Celebrating the Rainbow Nation of Wine


April was a busy month for South African wine in Hong Kong. To celebrate the country’s Freedom Day on 27th April, the South African Cosulate-General and Wines of South Africa lent their full support to various organisations in Hong Kong, including the South China Morning Post (SCMP) and the Hong Kong Jockey Club (HKJC), hosting a series of South African wine activities.

The SCMP South African wine evening saw 15 of Hong Kong’s South African wine distributors present over 130 wines from 36 wineries. Wines included both internationally acclaimed brands and less well known boutique names. Most were rated Platter’s 4 stars or above (for those who are not familiar with South African wine, Platter’s is the most comprehensive and authoritative annual South African wine guide. 5 stars is the maximum Platter’s rating). The HKJC, on the other hand, selected 10 South African wines of different styles, half available from Hong Kong and the rest directly from South Africa, to be served at its five venues, including country club, clubhouses and racecourses.

Being a fan of South African wine, I went to most of these events and talked to guests and consumers. I found that about half had never tried South African wine. Some didn’t even realise that South Africa was a wine producing country. But they were all curious and were generally positive about the wines after trying them. In fact, the country itself drew a lot of interest and we ended up having lively discussions on South African themes, from landscape and nature to culture and people. It seems that South Africa is, rightly, on the ‘countries to be visited’ list of quite a number of people.

Some people, though— and this includes people in the trade and even some South African winemakers—wrongly and unfairly dismiss South African wine for various reasons, one of which is Pinotage,. Pinotage is a cross between Pinot Noir and Cinsault, and is a unique South African variety. It is true that early Pinotage was often green and bitter, but with improved winemaking techniques and better understanding of the variety, today’s Pinotages should be a pride of of the South African wine industry. Its easy drinking style with moderate tannin appeals to inexperienced consumers. A few enthusiastic drinkers were comparing Pinotages from different wineries at the SCMP evening and happily declared that they liked the variety. Those who like rich wine were equally impressed by the more serious style of Pinotage that shows depth and ageing capability. The Rijk’s Pinotage Reserve 2008 at the HKJC was one of the most popular wines among Bordeaux drinkers.

Chenin Blanc is another variety that attracted attention. It has crisp acidity and can be made into different styles from sparkling and refreshing summer white wine to complex barrel fermented food-friendly wine and sweet wine. The Ken Forester Reserve Chenin Blanc (available from Kerry Wines) and Bellingham Old Vine Chenin Blanc (available from Northeast) were particular popular at the SCMP evening. Chenin Blanc is in fact a Loire variety although not many consumers are aware of this thanks to the ‘non-disclosure’ of grape varieties on most French labels, but it is in South Africa where the variety shows its true self. 1/5 of the vineyard planting in South Africa in Chenin Blanc, far more than what it is planted in Loire.

South Africa is also reputed for its international varieties: Pinot Noir and Sauvignon Blanc from the cooler regions of Elgin and Hermanus, full bodied Chardonnay and Bordeaux blends from Stellenbosch, Syrah and Rhone style wines particularly from Swartland. Its wine is as diverse as its landscape and culture. The wines showcased in the SCMP and HKJC events truly did impress some of the most discerning drinkers.

Hong Kong wine lovers deserve to taste more South African wine.

South Africa Freedom Day commemorates the country’s first democratic post-Apartheid elections in 1994. It unites South Africans of all colours and backgrounds to celebrate democracy and freedom. Next year will be its 20th anniversary. It would be a perfect moment to introduce more of these wonderfully diverse wines to Hong Kong wine lovers. We are all looking forward to celebrating the Rainbow Nation and its wine.

Monday, 11 March 2013

Identifying wine of the World


Most of us are impressed by people who can get the wine correct at a blind tasting, and secretly wish that we could do the same. Considering there are more than a dozen major wine producing countries and over 20 popular grape varieties, not to mention the hundreds of smaller wine producing regions and the even greater number of indigenous grape varieties and wine blends, it is daunting if not impossible to win in a blind tasting game. How do people do it then?

Most tasters normally start by eliminating half of the world, by going down the Old World / New World route. Because of tradition and winemaking technique, Old World wine (such as France, Italy, Spain, Portugal, Germany, Austria) tends to be more restrained. Reds usually have a savoury characters while whites may have a hint of saltiness (some say minerality). New World wine (Australia, New Zealand, South Africa, the USA, Argentina, Chile) is usually more fruit focused and forward. This is true even for aromatic grapes like Riesling. A German Riesling is more subdued than a Clare Valley one. So if the wine smells of abundant fruit, chances are it is likely to be from the New World.

To get closer to the origin, one needs to know the geography. Wines made in cool or mild climates are likely to have lower alcohol and higher acidity than those from warmer regions. This is because in warmer conditions, grapes ripen faster, accumulate more sugar and lose acidity faster. Sugar is converted to alcohol during fermentation, so wine from hot areas like Southern France will have higher alcohol than the cooler Burgundy. However, there are exceptions. Grapes grown in a continental climate—hot days but cool nights—have both high sugar and high acidity. And don’t forget that water and altitude play a part as well. The ocean has a cooling effect on coastal vineyard areas in Chile, California and Stellenbosch, but brings a milder climate to Bordeaux, while every 100m increase in altitude will see the temperature drop by 0.6ºC.

Combining the above factors, you can narrow the probabilities down quite a bit. Say you are presented a delicate wine with fresh acidity and moderate alcohol; it is likely to be from a cool climate region in the Old World. A wine with pronounced fruit characters but only moderate alcohol is likely to be from a not too hot New World region, possibly Margaret River, or some high altitude vineyards in Chile.

Getting excited? It’s time to study now. You don’t need to be a brilliant taster but you must have the knowledge if you want to get the wine correct. The wine’s structure is what’s most important. Some grapes, such as Nebbiolo, Touriga Nacional and Cabernet Sauvignon always have high tannins, but the first two will also have higher acidity. Merlot, Malbec, Pinot Noir and Zinfandel have both medium tannin and acidity. Grenache, Gamay and Barbera have low tannin but the latter two have much higher acidity than Grenache. Colour also gives some hints. For example, what is a red with pale colour and high acidity? It could be Nebbiolo, Sangiovese or Pinot Noir, but if the tannin is high then it can’t be Pinot Noir. Now, look at the alcohol. If it is over 14%, it is highly likely to be Nebbiolo because Piedmont (where Nebbiolo is grown) has a more continental climate than Tuscany.

Take another example. A near opaque wine with moderate acidity and lush black fruits is probably a New World Shiraz, Merlot or Malbec. If the tannins are obvious but round, and there are jammy and spicy notes, I would put it as a Shiraz above the others. And if the alcohol is 14-14.5%? Very likely a Shiraz from the Barossa.

White wine is similar. It doesn’t have tannin, so acidity and alcohol level are the key factors. White grapes can also be categorised into aromatic ones such as Sauvignon Blanc, Riesling, Viognier, Gewurztraminer, Muscat; or neutral ones like Chardonnay, Pinot Blanc and Semillon. Semi-aromatic grapes include Chenin Blanc, Pinot Gris and Albarino. So an aromatic wine with crisp acidity could be a Riesling or Sauvignon Blanc, but if it has a purity of fruit and alcohol of 13 or 13.5%, it is possibly a New World Sauvignon Blanc. Alsace Riesling could have 13% alcohol but it would be more mineral rather than fruit focused.

Unfortunately—but this is exactly what makes it so interesting—wine is not that black and white. With climate change, flying winemakers and the exchange of winemaking techniques, we are now seeing Old World wine styles made in the New World and vice versa. Some Bordeaux reds, especially those from riper vintages, are more fruit-forward with rounder tannins than the classic ones. The Kumeu River Hunting Hill Chardonnay from New Zealand (available from Northeast) is made in a Burgundian style which, in blind tastings, has fooled many a wine professional into believing it is a premier cru Burgundy.

My belief is that guessing the exact wine is not a very good reason for learning and enjoying wine. What matters is that we understand its quality, its style, its sense of place, and appreciate the effort that the winemaker has put into making it. As long as we follow the logic and know the theory, we won’t be far off in identifying the wine. And so what if we mistake a good quality South African Stellenbosch Cabernet Sauvignon for a Chilean from the Aconcagua Valley?

Abridged version published in the South China Morning Post on 07 February 2013

Thursday, 7 February 2013

Eddie on the right track with fun-and-enjoyment mantra

Photo courtesy of Ali Nicol

Did you know that even though there are no vineyards in Hong Kong we do have a handful of winemakers living here? Apart from myself—although I don’t think I should really be counted since I don’t make wine for a living at the moment—there is Eddie McDougall, a Eurasian Hong Kong-born flying winemaker who makes his own wine in Australia using grapes from King Valley and the Pyrenees and is the owner of The Flying Winemaker, a wine store cum bar cum school in Lan Kwai Fong.

Eddie had a series of activities lined up for the launch of his latest wine recently. The wine was originally named Umami, but for technical reasons he could not register that name so chose to market it under his own name: Eddie McDougall. So don’t be confused when you see the name Umami in a much more prominent position than his own on the label.

At one of the launch events organised by the The Elements Club, we had four of Eddie's wines with a Chinese dinner. I particularly liked the Frederica’s Pinot Gris 2010. The wine was barrel-fermented in old barrels, lees-stirred and matured for eight months. The flavours are intense yet well-integrated. Its structure and relatively high alcohol of 13.8% make it a nice pairing with heavier seafood or stir-fried pork dishes (we had it with wok-fried prawns with Sichuan chilli sauce and deep-fried scallops coated with taro crust 川汁蝦球,荔茸帶子).

Little Pig Rosé 2010, using the nickname given him by his grandmother, has an attractive pale pink salmon colour. I was expecting a soft delicate wine but instead my first impression was of something savoury and structured. Eddie explained that the wine, from Merlot grapes, underwent cool temperature fermentation and was aged for 12 months, so no wonder it developed the characters that Eddie highly recommends be paired with Cantonese style barbecued pork (叉燒). A delicate rosé would not stand up to the pork's robust flavour.

Eddie’s wine philosophy is that wine should be fun and enjoyable and that good quality wine is not necessarily expensive and out of reach. I totally agree. Indeed this is what I would like to promote in Hong Kong—a wine culture that values quality over price, enjoyment over pretentiousness, and, above all, sharing over showing off. I would love to see that one day, hopefully in the not too distant future, it is the norm that consumers have their rice box dinner at home in front of the television with a glass of wine rather than a can of soft drink. I have been discussing this with a few people recently, including Eddie and Betsy from Northeast and I think they share the sentiment. I hope we can start to generate enough support from other like-minded people to make this happen. Let me know if you agree.

Sunday, 8 July 2012

Villiera, a truly sustainable wine from Stellenbosch

Ask any brand owner or winemaker, they will all say there needs to be a story behind the wine. So what’s the story for Villiera, a family run Stellenbosch winery headed by cousins Jeff Grier the winemaker, Simon Grier the viticulturist and Cathy Grier Brewer the export and sales director?

I was convinced that Cathy, whom I have met a few times in Hong Kong, would say it is the family heritage, but to my surprise she said environment and sustainability. South Africa has been pioneering wine production integrity since 1988, and in 2010 it introduced the Integrity and Sustainability Seal that guarantees a wine’s quality and sustainability credentials. Wines of South Africa (WOSA) expects says 85% of the country's wine brands had been accredited by 2011. So how is Villiera different from the others?

Cathy explained that Villiera has reduced its vineyard area over the years in order to return about half of the land to its original state. Moreover, Villiera runs one of the biggest solar projects in South Africa, Apart from during harvest, when additional power is required, Villiera is run solely on solar power for the rest of the year. They have replaced water-guzzling foreign gum trees, planted over 60,000 indigenous trees, conserved and recycled water, and adopted a ‘no waste’ policy. What’s more, Villiera collaborates with two neighbours, The Cape Garden Centre and Klawerlei Estate, and set aside some 220 ha of land (the vineyard area is 180ha) as a wildlife sanctuary, consisting of dams (lakes) and marshland, which is home to various South African mammals and a great diversity of birdlife.

Villiera has not used insecticides for over 12 years, yet the vineyard is not organic. Asked why, Cathy says Villiera is more concerned about the ecosystem and biodiversity as a whole. Organic production is good for human consumption but may not necessarily benefit the environment. This fits nicely with the broader concept of sustainability, which is about producing wine over the medium to long term in a responsible way that promotes biodiversity and minimises environmental damage while at the same time being economically viable for the producer. Villiera is looking into the feasibility of becoming a carbon neutral estate.

Sustainability also extends to social responsibility. Villiera has undertaken several upliftment projects for the farm’s workers and children and also helps market the produce of the M’Huidi winery, which is owned by a black family. Villiera was the first winery to gain the WIETA (Wine Industry Ethical Trade Association) accreditation for promoting fair labour practices.

Sustainability apart, Villiera is 100% committed to quality. It experiments with various practices including altering picking times, growing different clones and using new winemaking techniques to make the perfect wine. Villiera Bush Vine Sauvignon Blanc is one such example. Realising the unique characteristics of the block of bush vines that existed when the Grier family bought the estate in 1983, Jeff decided to bottle the wine separately rather than blending it with the other Sauvignon Blancs. The wine from these low yield, 30+ year old vines is elegant, with flinty and peppery characters, quite different from a typical tropical fruit flavoured New World Sauvignon Blanc. I particularly enjoyed the 2010 vintage, which tends more towards cool climate characters, and the 2008 vintage, which at four year of age is still pleasantly refreshing.

A few weeks ago we had an informative vertical tasting of the Old Bush Sauvignon Blanc and the flagship Monro red (a Merlot dominated Bordeaux blend) under Cathy's guidance. Unfortunately, the older vintages were from the library collection and not available for sale. Other award winning wines from Villiera include the Cap Classique Monro Brut and Traditional Brut NV, and the traditional barrel fermented Chenin Blanc. Available from Northeast.

Saturday, 17 March 2012

Kumeu River, family pride


Another successful immigrant story. The first generation of the Croatian Brajkovich family, Mick and Kate, bought a small vineyard in Kumeu River northwest of Auckland. Maté, from the second generation, set the foundation by moving away from the old style fortified style wine and planting international varieties. Now, the estate, headed by mother Melba, is run by the third generation: Michael (Master of Wine), Marijana, Milan and Paul.

Lisa Perrotti-Brown MW, wrote in Wine Advocate, "If you can taste history, duty and family pride in a glass, it’s there in the Kumeu River Chardonnays.... now producing some of New Zealand’s greatest Chardonnays, not to mention the world’s." Well, I can’t taste history and duty in the glass, but I certainly can taste the quality and effort the team puts into its wines.

Kumeu River is not the best viticultural site in New Zealand. It has relatively high rainfall and low sunshine hours, and is kept cool by the Pacific Ocean and the Tasman Sea. Some grapes, such as Cabernet Sauvignon and even Merlot, struggle to ripen there. After trial and error, the Brajkoviches found that Chardonnay is their star. Some 60% of the vineyard is planted with Chardonnays. Different clones are used in different soils and on different aspects, resulting in a range of Chardonnays each having its own style and character. Michael, the eldest brother and winemaker, has worked in Bordeaux and Burgundy, so Kumeu River’s Chardonnays are geared towards the classical Burgundy style using indigenous yeasts, barrel fermentation, malo-lactic fermentation and ageing on lees to add texture and complexity. Paul, the youngest brother, responsible for marketing, was proud to tell us that guests at blind tastings often mistake Kumeu River Chardonnays for Burgundy premieur crus. At a fraction of the price of those Burgundies, Kumeu River certainly outperforms on quality.

We tried all their Chardonnays. Each has its own characteristics. My favourite is the single vineyard Kumeu River Hunting Hill Chardonnay 2007 which is well defined and elegant, yet concentrated. Paul said it is an excellent match with crayfish (lobster). Kumeu River Mate’s Vineyard Chardonnay, named after their late father, is made from a low yield vineyard, the oldest on the estate. The 2009 vintage has more ripe fruit aromas and complexity on the palate, with a tighter structure.

Paul does not think being medium sized and family owned places them in a less advantageous position compared to the big boys. The secret is to partner with similar-sized and like-minded distributors to spread the family story. Well, Kumeu River certainly has one competent partner here: Northeast, run by an equally passionate mother-and-daughter team.

Saturday, 4 February 2012

Bird in Hand, the gold mine winery


What makes Bird in Hand stands out is its location. At 400m above sea level in a cool pocket of the Adelaide Hills, the grapes enjoy a long ripening season with warm days and cool nights, enabling them to ripen with full flavours but still retain their acidity. Couple this with the mineral-rich soil from the former gold mines, plus the philosophy of making balanced wines that compliment rather than dominate food, and it is no surprise that all the Bird in Hand labels have numerous awards under their belts.

Bird in Hand has three labels, all named after defunct gold mines that operated in the district in the mid 1800s. Two in Bush is an easy-going 'drink now' style fermented in stainless steel tanks, while Bird in Hand is a more serious wine that has spent some time in barrels. Nest Egg is the finest and only released in the best years with a limited quantity. I love the Bird in Hand Riesling 2010 for its liveliness and crisp acidity, and the Nest Egg Chardonnay 2008 for the complex nose and creamy mouthfeel.

If you are a fan of sashimi you must try pairing it with Bird in Hand Sparkling Pinot Noir. Its vibrant red fruit aroma enhances the freshness of the fish and it stands up to the wasabi and soy sauce flavours. And of course, the appealing pale salmon colour is perfect next to salmon or tuna sashimi. The judges in the 2011 Cathay Pacific Hong Kong International Wine & Spirit Competition 'Best Wine with Sashimi' panel, including renowned chef Yanagita from Nadaman in the Hong Kong Shangri-La, all agreed that they were a perfect match. The wine was the trophy winner in that class. I was told that Japanese restaurants in Hong Kong are queuing up to buy it.

Bird in Hand is a family business. Andrew Nugent is the resident viticulturist and winemaker while brother Justin is the travelling ambassador. With our booming neighbour, no wonder Justin is spending more and more time in China. They have just opened a replica Bird in Hand cellar door in Dalian (大連), decorated with vines from the Adelaide Hills vineyard, and have plans to open more in the second tier China cities. The winery is producing 70,000 cases of wine per year at present but has a capacity of 200,000 cases — hopefully just enough to satisfy the thirsty Chinese demand.

Get your wines from Northeast before they are snatched up by the Japanese restaurants or our mainland compatriots.

Sunday, 31 July 2011

A taste of crop yield - a vertical tasting of Martinborough Vineyard Pinot Noir

It was nice to see Paul Mason, winemaker at Martinborough Vineyard, in Hong Kong after I had earlier visited their winery in April. Instead of tasting different Martinborough wines, Paul conducted a vertical tasting of their five Pinots from 2003 to 2009.

While all wines had the same footprint of firmness and savouriness, which are the characteristics of Martinborough's terroir, the 2003 and 2007 were particularly concentrated and rich. The savoury character was more pronounced, both wines displaying a mushroomy, earthy nose backed by a lingering palate. The reason was that both years had a very low crop yield: 2003 had 50% of normal crop and 2007 only 25% due to frost and bizarre weather conditions—a winemaker's nightmare but a wine lover's delight!

In contrast, 2006, 2008 and 2009 had a more benign weather pattern. The crop yields were normal at about 5 tons/ha. All three vintages display lively red fruit characters and 2009 in particular has a floral nose and an elegant structure. Paul has experimented with partial whole bunch fermentation in the past few years and perhaps the floral character was a result of it. The 2008 had 10% whole bunch fermentation while 2009 had 15%.

I like the firmness and structure of the 2003 and 2007. The 2009 is more towards the elegant end and it will be interesting to see how it ages. Available from Northeast.

Sunday, 17 July 2011

Smokiness and burnt rubber: typical of Pinotage?

Most people who try Pinotage associate it with a barbecue smoky nose, and some even extend this to other South African reds such as Shiraz. I recently had a lively discussion about this with a few South African winemakers and estate owners, over beer and gin & tonic.

First was to define smokiness and burnt rubber. Both Yngvildt Steytler from Kaapzicht and Eben Sadie from the Sadie Family agreed that smokiness is a positive term and burnt rubber is not. Unfortunately the majority of consumers are not that precise and they often interchange these two terms depending on the level of that aroma. And to be honest, there are some who actually like the ‘burnt rubber’ character.

Anyway, Yngvildt believes that the ‘off’ flavour actually results from a dirty winery. A winery that observes proper hygiene does not have this issue. She could be right, as some critics attribute the ‘burnt rubber’ smell to brettanomyces, a yeast spoilage that occurs in dirty wineries.

Eben, however, has another opinion. Burnt rubber is a sulphide compound that may develop during the winemaking process but will disappear after a certain period of ageing. He reckons some producers rush to bottle and release the wines too early, hence the problem.

WInes of South Africa (WOSA) commissioned research to find the cause of the ‘burnt rubber’ smell a few years ago but the result was inconclusive. Scientists found no specific link between the aroma and any particular grape variety, region or vintage, so it is still a mystery to date.

A wine-loving friend of mine (by no means an expert) reckons it is the result of the bush fires that have happened throughout history and continue to happen pretty much every year around the Cape area. The burnt fynbos (native bush) finds its way into the soil and is absorbed by the vine roots and reflected in the wine. This is conceivable as obvious smokiness was found, for example, in Australia’s McLaren 2009 vintage after the bush fire that occurred before harvest.

South Africa’s ‘burnt rubber’ issue will surely continue to be debated in the years to come. Right now, for those who think burnt rubber is Pinotage, try these examples and think again:

Kaapzicht Steytler Pinotage 2007: Sweet fruit aroma and a spicy nose. Soft tannin. Yngvildt believes there is good hygiene in the cellar. Available from Kingdom Vineyard.

Scali Pinotage 2009: Red fruits and brambles, and a smooth tannin.

Kanonkop Pinotage 2005: Rich and complex with black fruits and spices and a hint of coffee (rather than burnt coffee) on the back palate. Available from Northeast.

Sunday, 10 July 2011

South Africa - Variety is in our Nature

I have always had a soft spot for South Africa. My first time there was in 1996. After a few weeks on the road driving around the canyons, Kruger and the Garden Route, we finally arrived at Stellenbosch where we spent a week tasting wine every day, duly starting at 9:00am when the cellar doors opened. Since then, I have been back to the Stellenbosch area five times and have had the privilege of doing vintages at Ashanti and Thelema.


Therefore it was great news that Wines of South Africa (WOSA), was finally organising a long overdue South African wine tasting in Hong Kong recently. 29 wines from Cap Classique and Chenin Blanc to Bordeaux blends and Pinotage were presented to packed audiences in two sessions: the trade masterclass with tutored tasting in the afternoon and a consumer walk-around tasting in the evening.

Saturday, 2 July 2011

Bordeaux Gimblett Gravels blind tasting: who’s the winner?

At a recent judgement tasting organised by New Zealand's Gimblett Gravels Winegrowers Association in Hong Kong, Lisa Perrotti-Brown MW and Rod Easthope of Craggy Range led a blind tasting of Gimblett Gravels 2009 vintage against Bordeaux classed growths (including all five first growth) 2008 vintage. Some 30 experienced tasters including media from Asia (Hong Kong, China, Taiwan and Singapore), sommeliers, F&B directors and serious wine lovers were asked to rank their top eight wines out of the sixteen tasted. They were told in advance that the sixteen comprised eight Gimblett Gravels Bordeaux style wines and eight Bordeaux, and the labels were listed; so this was a blind tasting but not double-blind.

Thursday, 5 May 2011

Martinborough Pinot Noir: Hidden treasure

Martinborough is the smallest wine region in New Zealand. The area under vine is about 3% of New Zealand’s total but wine production is only 1%. Although the journey is only a one hour drive from Wellington, it is a winding road up the mountain and down into the valley, with numerous twists and turns. No wonder Martinborough is easily overlooked by wine lovers.


If you think New Zealand Pinot Noir is Central Otago, think again. Most vines in Martinborough are Pinot Noir, although the quantity is nowhere near Central Otago’s. It all started in the late 1970s when a few brave souls followed the advice of a soil scientist, converted farmland into vineyards, and proved that Martinborough is indeed ideal for viticulture. Today there are some 58 growers in Martinborough. Sizes range from the smallest with less than 2 ha under vines, to the biggest (still fairly small compared to Marlborough) with 85ha.
The Martinborough Terrace, where most vineyards are.

Monday, 25 April 2011

Biodynamic wine anyone?

For those who are sceptical about biodynamic or even organic wine, Dr Kaye McAulay, owner of Vynfields Organic Wine in Martinborough, New Zealand, who has just been awarded the biodynamic certification a few weeks ago, insists that there is a difference. Pesticides and fungicides used in conventional vineyards mask the expression of terroir in the wine. Organic wine is chemical free so it is more expressive. Biodynamic is 'organic plus' and the wine is even more vibrant. Certainly the Vynfields Pinot Noir 2008 was the most vibrant Pinot at a tasting I attended recently.

Hong Kong distributor: Northeast