Sadie’s Swartland Old Vines Series

"Make wine like tea, not like coffee"; ‘Putting wine in barrel is putting barrel inside wine’". These sayings sum up the winemaking philosophy of Eben Sadie, one of the most passionate South African winemakers I have been lucky enough to meet. He said he used to make big, pitch dark, oaky wines but now prefers to see finesse and elegance in a wine, without too much extraction (hence making wine like tea, not coffee). Of course he uses oak, but only old big, old barrels.

Eben has actually spent a fair amount of time outside South Africa, including ten years in Priorat, Spain. Maybe this explains why he appreciates old vines and makes Grenache and Cinsault. He is one of the pioneers in the Swartland region, with its Mediterranean climate and, even better, lots of neglected old vine parcels. He keeps looking out for such plots and, once he finds one he likes, he nurtures it back to health using natural composts, never man-made chemicals. His goal is to make wine that reflects the history and terroir of the plot, so he doesn’t blend wines. A couple of plots may be planted with different varieties and he will just ferment them together—a technique known as field blending.

The dry weather in Swartland means mildew is not an issue in the vineyard, but sunburnt grapes are. In the winery the grapes are sorted meticulously to make sure all sunburnt grapes are discarded as Eben doesn’t like the overripe, caramel taste they impart. He uses no chemicals, no filtration and no fining except for the 60ppm of sulphur dioxide that is necessary to ensure stability during a voyage over the equator.

Eben’s new range of wine, Ouwingerdreeks (meaning 'Old Vines Series' in Afrikaans), is made from some of those forgotten old vine parcels. He was in Hong Kong recently to present the 2012 vintage. All the wines have a purity of fruit, an elegant structure and not-overpowering aromas that make them perfect for food pairing.
 
The Ouwingerdreeks Range has a simple classic label design that conveys the down-to-earth character of the wines. But we noticed that each wine has a different colour wax seal, and it turns out there is a story behind that:

Pofadder: 100% Cinsault from 50 year old vines. Eben reckons Cinsault can only be made into good quality red wine when the vines are old. Young Cinsault should only be used for rosé. The wine has a black seal because the name means puff adder, a venomous black snake found in Africa.

Soldaat: 100% Grenache from 48 year old vines at 700m altitude. It is the altitude that gives the wine its freshness. Soldaat means soldier and the highest military honour is purple colour hence the purple wax seal.

Treinspoor: 100% Tinta Barocca (Tinta Barroca) of Portuguese origin. Eben describes the wine as a blend of Cote Rotie and Piedmont—the spicy, blue berries of Syrah combined with the tannin of Nebbiolo. The silver wax seal is derived from the name Treinspoor, meaning railway.

Skerpioen: A field blend of Chenin Blanc and Palomino from 66 year old vines. Eben swears that the saline taste (from the Palomino perhaps?) is heaven when paired with oyster cooked with lime peel and almond, one of his home-made dishes. The white wax seal recalls the chalk soil where the grapes are grown.

Skurfberg: 100% Chenin Blanc from an 88 year old vineyard 300 km from the winery. This one has 14% alcohol but is well balanced and supported by a fresh acidity and elegant fruit and perfume. It has a red wax seal because the plot is on red soil.

T Voetpad: A field blend of Semillon, Semillon Gris, Palomino, Chenin Blanc and Muscat d’Alexandria grown in one of the oldest vineyards in South Africa: the plot was planted between 1887 and 1928! A wine full of concentration that can certainly age gracefully. The yellow wax seal reflects the vineyard’s yellow footpath (Voetpad in Afrikaans).

Mrs Kirsten: 100% Chenin Blanc from the oldest vineyard in Stellenbosch, planted in 1905. According to Eben the pleasant oxidative character is a characteristic of the vineyard. Only 480 bottles are made each year. Why the orange wax seal? Simply because the owner of the plot, Mrs Kirsten, likes orange.

All these wines, of which only a few hundred cases are made per wine, retail here at just HK$200-240 per bottle, with the exception of the Mrs Kirsten ($740/bottle). These are some of the very best value wines I have ever had and, for once, I found myself begging a producer to increase his prices to be in line with consumer expectations (I suggested $280-$350/bottle)! Eben responded that wine is a living thing and he sees his work as agriculture—not agri-business. He just wants to make wine that brings pleasure to consumers. He would much prefer us to drink two bottles per night at a lower price than just one at a higher price ... but then Eben, you don’t make enough wine to satisfy the market!

Anyway, I’m stocking up now. If you want to do the same, Eben’s Ouwingerdreeks Range from The Sadie Family is available from Berry Bros & Rudd.

It’s a Revolution!

Swartland Independent? Most would assume it must be a bunch of arty people, radicals, rebels against big corporations. It turns out to be so much more.

Swartland Independent is a bunch of wine producers from the Swartland in South Africa, just over one hour’s drive north of Cape Town, but not just any old bunch. It is a group of like-minded winegrowers who believe in the true expression of the region’s terroir and in wines having their own identities.

The Swartland, like Stellenbosch, is a wine district in South Africa. Any wine made with grapes grown there can be labelled ‘Wine of Origin Swartland’. But to use the ‘Swartland Independent’ logo, producers must adhere to a set of viticultural guidelines with priority given to the conservation of old vines. The wine must be produced with minimal manipulation, with no use of commercial yeasts or enzymes, no added tannin or acid, and must not be chemically fined. Moreover, Swartland Independent believes that heavy oaking ‘masks’ the essence of grapes, so no more than 25% of a wine may be aged in new wood, and the wood must be of European origin. There are also guidelines on grape varieties. For whites, 90% must be Chenin Blanc, Marsanne, Roussane, Viognier, and specified others, while for reds, 90% must be Syrah, Mourvèdre, Grenache, Cinsault, and more. Commercially popular varieties such as Cabernet Sauvignon, Merlot, Chardonnay and Sauvignon Blanc are not permitted. The producers believe planting grapes on unsuitable terroir only results in wine with inherent limitations.

The result? Rhone blend wines from this Mediterranean climate in the Southern hemisphere. The wine is all about natural balance, freshness and purity.

The Swartland has some of the oldest bush vines in South Africa but viticulture was long in the back seat as this is traditionally a grain-producing area. Wines were robust and mostly fortified until a new generation of winemakers who believe in making wine that is a true expression of its origin went there to hunt for parcels of old vines.

Eben Sadie, one of the leaders of the movement, firmly believes in the diverse soils that the Swartland offers: decomposed granite in the Paardeberg Mountain, clay soils with iron similar to those in the Barossa, slate and schist, calcareous soils, sandstones from Table Mountain and alluvial soils like those found in Graves. It is a canvas upon which grapes can express their true sense of place. Eben praises bush vines with their 360º orientation towards the sun that helps avoid the excessive sun or shading of bunches that can occur on trained vines. And he expends the same effort in the winery. For years, he experimented with fermentation in amphorae underground, a Georgian winemaking tradition, with varying degrees of disaster until he finally mastered the skill. He is now extending the winery to accommodate a few amphorae. I am looking forward to trying those wines in a few years.

Swartland Independent has just over 20 members, all family businesses. Some of them, like Adi Badenhorst, ex-winemaker at Rustenberg, gave up their jobs in prestige wineries, while others, like Donovan Rall, still work for established producers but also make some wines of their own. Mullineux is an international team led by Chris Mullineux from South Africa and his wife Andrea from San Francisco. All of them, hands on in both vineyard and winery, gather in the Swartland to live their dreams of making passionate wine. Naturally, none of them has a big production. David Sadie (no relation to Eben) has just one barrel of 400 bottles for his Grenache Noir.

To attract the attention of wine lovers and to revive the image of the region, Swartland Independent organises an annual weekend event called The Swartland Revolution, comprised of tutored tastings, an auction and a braai (South African barbecue) evening that ends with a street-party open tasting. Tickets for last November's event sold out in 52 hours.

I am excited by the development of the Swartland and the enthusiasm of these producers. In the wine world, there are mass produced standardised wines that are clean and consistent but lack soul, and there are the premium wines with matching price tags that can only be a treat once in a while for many. To me, wines like those made by the Swartland Independent producers are wines for the true wine lover. We appreciate the fact that grapes are products of nature, and we embrace the different styles, even the not-so-mainstream funky ones. Above all, we respect winemakers who have the commitment, the passion and conviction to make wine that truly reflects the place.

Luckily, there is no shortage of like-minded producers in South Africa, and in fact in all wine producing countries. We should be bold enough to step out of our comfort zone and try wines from different regions and producers, including smaller and lesser known ones like these. Only then can we truly enjoy this wonderful drink that mother nature makes possible.

The Sadie Family wines is available from Berry Bros & Rudd.
Mullineux is available from Berry Bros & Rudd and Vincisive Wines.

Spain, more than just Tempranillo

Spain has been quite active in Hong Kong lately. Less than a month after José Peñin’s visit to promote his Peñin Guide to Spanish Wine 2011, the Spanish were back in town for the first Grand Tasting of Top Wines from Spain, led by the President of the Rioja DOCa Regulatory Board, Victor Pascual, with whom I had an interesting discussion.

Victor emphasised that Tempranillo is now recognised as one of the world's noble grapes and in recent years has been the most widely planted variety in a number of countries. He said Tempranillo’s personality is closely linked to the territory in which it is grown, and it reaches its fullest expression in Rioja. Moreover, oak, whether American or French, new or old, is an integral part of Rioja, giving wines from the region their individual characters. Rioja wine is balanced in terms of alcohol level, acidity, body and structure. Its easy-to-drink character is a safe choice for consumers and matches a wide range of cuisines. If Tempranillo is the national grape of Spain, then Rioja must surely be the national wine.

Great as Tempranillo and Rioja may be, one should not forget other Spanish varieties and regions. Grenache (Garnacha) and Carignan (Mazuela) are the silent partners of Rioja, giving the wine a fruitier profile, brighter colour and higher acidity. Grenache and Carignan are also the stars in Southern Spain where it is too hot for Tempranillo. Priorat gives them their fullest expression as most grapes come from old vines.

I always think Spanish white wine is under-rated. Albarino from Rias Baixas has pleasant, non-pungent aromas, good acidity and texture and is versatile enough to pair well with many medium intensity dishes.

Of course we should not forget Sherry. It has never been a big thing in Hong Kong but I particular like the lighter Fino and Manzanilla styles, which are great aperitifs and refreshing after a whole day of wine tasting. In London a few sherry tapas bars have sprung up, serving only sherry. I would love it if there was a similar bar in Hong Kong in the near future.

Last but not least, a good quality Cava is always an alternative to Champagne. At Wine Future, I tasted a very good one, Segura Viudas Reserva Heredad with up to four years on lees, and was told that it was retailing at Watson’s Wine for only $198! Stock up quick, before they increase the price.

I only tried wines from three producers at this tasting. Big tastings like this are more like social events. It took me two hours to walk from one end of the room to the other and I was exhausted from talking, not tasting. Anyway, the wine that stood out was Pago de los Capellanes Parcela ‘El Nogal’ 2005, 100% Tempranillo from Ribera del Duero. It is vibrant, concentrated, with a long length but not heavy. Available from Ponti Wine Cellars.

Flagship wine: ambassador or juggernaut?

What is the wine or grape that first springs to mind when someone mentions France, Spain, Argentina or New Zealand? Bordeaux, Tempranillo, Malbec, Sauvignon Blanc? These are considered the flagship wines of those countries, the ambassadors. But do they really bring value to their motherland's wine industry? Or do they shine so bright that they stultify it?

You can argue it either way.

Start with Italy. It has over 350 indigenous grapes, but the one variety that is its claim to fame is Sangiovese, used in so many great wines from Chianti and Brunello di Montalcino to the Super Tuscans. Sangiovese brought the world’s drinkers to Italy and introduced them to its many siblings—Nebbiolo, Aglianico, Pinot Grigio and more. Today, consumers everywhere appreciate the diversity of Italian wines, but they still pay respect to Sangiovese.

Like Italy, Portugal has over 300 native grapes, but it does not promote any particular variety in the international arena. The fact that one grape often has different names depending on where it is grown (north, centre or south) doesn’t help. As a result, perhaps, Portuguese wine has little recognition outside Portugal even today (except Port and Mateus Rosé). A few years ago, ViniPortugal decided to start marketing Touriga Nacional as the national grape, hoping it would achieve similar status to Sangiovese and bring the world to its many other wines. We are still waiting to see the results.

Most will agree that Tempranillo is Spain’s flagship grape. But what about Grenache (Garnacha)? It is an important variety in Rioja where Tempranillo gained its fame, and produces the expressive and concentrated wines of Priorat and the south. In fact, Grenache has more characters than Tempranillo as a varietal, yet it always seems a few steps behind.

Sauvignon Blanc, specifically from Marlborough, put New Zealand on the world wine map. Now every wine region outside New Zealand wants to produce a similar style of Sauvignon Blanc. However, this flagship grape has been so successful that all other great New Zealand wines are living under its shadow. The average consumer—and I am referring to the average, not those in the wine circle—is not even aware of Otago Pinot Noir, let alone the wines of other regions.

Chile is known for offering the best value in several international grape varieties: Cabernet Sauvignon, Merlot, Chardonnay. Yet it struggles to establish an identity. Conversely, its neighbour Argentina is, in a sense, better positioned in the world wine market because of its flagship grape, Malbec.

So, is having a flagship wine or varietal a good or a bad thing?

An interview with José Peñin

Less than a month after James Halliday’s visit, another wine critic was recently in town promoting his latest wine guide. This time it was José Peñin from Spain. José has over 30 years experience in wine journalism. He is sometimes called the Robert Parker of Spain and was awarded the Jury Special Prize for the best wine guide in the 2007 Gourmand Book Prizes. The Peñin Guide to Spanish Wine 2011 features more than 13,000 wines of which over 8,000 were sampled by a team of four tasters.

It was frustrating having to talk to José via an interpreter who only had minimal wine knowledge, as complex questions and answers were often lost. I know I could have got a lot more insightful opinions if I could have spoken to him directly—I should have learnt my Spanish better! Nevertheless, I can just about profile his general thoughts on Spanish wines.

Like most experts, José believes in terroir. Spain’s various wine regions are capable of producing widely differing wine styles thanks to differences in climate, soil and altitude. But it is always important to choose the right grape varieties. Tempranillo may be the flagship grape of Spain, but in hot, dry Priorat it will not produce the same great wine it does in Rioja. The south should concentrate on Garnacha (Grenache), Monastrell (Mourvèdre) and Cariñena (Carignan). He also disputes the notion that high alcohol is a consequence of global warming, asserting that Priorat wines have always been 14.5% alcohol or above. Instead, he emphasises the significance of high altitude vineyards. The high altitude counterbalances the high temperatures, allowing grapes to ripen slowly and fully without accumulating too much sugar. Hmm. I agree with most of this but wonder how many will accept his view about global warming. Or maybe something was lost in translation?

Asked about his favourite wine, José says he is still exploring. Regardless of the grape, the region or the price, good wine must have personality. He has certainly stuck to this philosophy when tasting the wines for the Peñin Guide. And for the Great Spanish Wine tasting in Hong Kong he was accompanied by 26 wineries that had scored 90 points or above. Most are small to medium size wineries with vines of great age, some over 100 years old. The wines are concentrated and expressive and definitely have personality.

One last comment from José: when he is with family and friends, it doesn’t matter what wine he is drinking—it is the company that matters.

My favourites at the tasting were:

Domaines Lupier La Dama 2008: 100% Grenache from Navarra. Concentrated and expressive.

Paco & Lola 2010: 100% Albariño grapes from Rias Baixas. Intense aroma, fresh and lively.

Vinyes Domenech Teixar 2007: 100% Grenache from Montasant. Powerful, spicy and round tannins.

Old vines in Priorat

Priorat’s harsh climate—long hot summers (above 30ºC) with cool nights (12-14ºC), minimal rainfall, thin top soil and high altitude (vines grow at 300m to 800m above sea level)—is ideal for producing good concentrated wine. And it is the age of the region's vines that gives its wine the ultimate quality.

Grapes were first grown here in the 14th Century by monks—hence the name Priorat. The most widely grown red varieties are Garnacha Noir (Grenache) and Cariñena (Carignan). Some of the vines are well over 100 years old and each vine only yields about 150g of grapes. (As a benchmark, vines producing good quality wine typically bear about 1kg of grapes and those destined for the entry level tend to have a minimum yield of 2kg per vine). It takes seven vines to produce only one bottle of wine! Wines from such old vines are complex, dense and concentrated. Although alcohol is high—minimum 14.5% but more often 15% or 15.5%—the wine is well balanced with both fruit and savoury characters. With everyone talking about a return to low alcohol wine, Priorat's reds are the perfect reminder that high alcohol wine can be of premium quality as long as it is balanced.

Priorat was the second region in Spain to be awarded DOCa status (the first was Rioja). Most producers are small to medium size, family run and full of passion. Check out the Priorat website to see if any of the wines are available in your country.

My picks include:
Celler Joan Simó Les Eres 2006: 55% Cariñena, 25% Garnacha Red, 20% Cabernet Sauvignon
Torres Priorat Perpetual 2008: Cariñena and Garnacha Red
La Conreria d’Scala Dei Iugiter Selecció 2006: 65% Garnacha Red, 25% Cabernet Sauvignon and 10% Cariñera.

Priorat's new generation

In May, I attended Espai Priorat, the first international exhibition of Priorat wines. Priorat has been growing vines since the 14th century but has had its fair share of ups and downs. With the far sightedness of winemaker René Barbier, who became convinced of the region’s potential and bought his first land there in the early 80s, Priorat's wine industry picked up again. In 2000, there were only some 40 producers; now there are 90. While there are a few big boys around, most are of the younger generation who left the region and are now returning to family tradition.

Celler Joan Simós is a 12-year old winery founded by Gerard Batllevell Simó, an interesting character. His family is from Priorat but he ran a clothing business in Barcelona. When he inherited his mother’s house in the village of Porrera he decided that making and selling wine was more fun than selling clothes, so he converted the old house into a cellar and harvested grapes from the family's old vines and made his first 1,000 bottles of Les Eres. It quickly sold out, and the rest is history. He is now making some 20,000 bottles a year under three labels. I kept pushing him why his business sense gave way to his heart, as starting a winery is no small investment — just one French barrel costs about €600-700 and he can’t sell the wine until it's spent at least 15 months in oak — not to mention the fact that he had no winemaking knowledge. The answer? His first wine received 92 points from Wine Spectator and a pat on the shoulder from his customers, and he enjoys a quality of life in the countryside that he could never find in the city.

Marco Abella, a medium sized winery of 23 ha is another story. The Marco family had been planting vines in Priorat since the 15th century. In 2001, David Marco, an engineer, and his wife Olivier Bayés, a lawyer, decided to take the family business to the next level. They built a modern gravity-fed winery and introduced organic viticulture, aiming to produce wines that respected the Priorat terroir. They use only natural yeast fermentation and long maceration. The resulting wines are complex with a sense of place. I particular like their white Òlbia, with just 800 bottles made from old Macabeo and Garnacha Blanca.




Sangenis i Vaqué is another family winery run by father and two young daughters; Les Cousins is a label made by two cousins Adria and Marc; René Barbier, who founded Clos Mogador, has his son as his right-hand man..... With all this passionate young blood pouring into Priorat, I feel certain we will see more exciting things from this region.