James Bond Champagne Bollinger celebrated La Grande Année 2008

I never say no to bubbles so it was with pleasure that I attended the launch of Bollinger Le Grande Année 2008 lunch recently, and especially that 2008 is a legendary vintage for champagne.

2008 had perfect weather condition in Champagne, cool climate growing season with minimum disease risks. Temperature increased in the last few weeks before harvest resulting in fruits with fine acidity and great concentration. According to Decanter, it is a 5/5 vintage and the wines are real keepers.

La Grande Année 2008 is a blend of grapes from 18 crus (villages), with 71% Pinot Noir and the rest being Chardonnay, it is the second vintage with the highest Pinot in the blend, just a little less that the 1979 vintage with 75% Pinot Noir. True to La Grande Année’s style, the wine was fermented in small aged old barrels giving it a round and rather rich mouthfeel, which is supported by layers of aromas from floral to exotic spices and fresh acidity, thanks to its 9 years of less ageing.

Bollinger’s Export Area Manager Bastien Mariani explained that Bollinger is all about craftsmanship and gastronomy. To illustrate this, we were treated a 4-course lunch at Clipper’s in The Peninsula paired with standard bottle and magnum La Grande Année 2008. Wine evolves slower in big bottles. The magnum is livelier while the standard bottle, still fresh but with an earthy undertone. According to Bastien, magnum complements lighter flavoured dishes while standard bottle is best served with stronger flavoured dishes. The magnum with langoustine carpaccio was excellent. The standard bottle was paired with the roasted quail, which was pleasant, but together with the sauce was a touch too powerful even for this manly James Bond champagne.

Another point that Bastien mentioned was that champagne (or sparkling wine made in traditional method) has two lives. The fist was before disgorgement when the wine develops its complexity and the second life starts after disgorgement when freshness and acidity come into play. Because of this, Bollinger now puts the disgorgement date on the back label of La Grande Année 2008. A more recent disgorged sparkling wine will be fresher than the one that has been disgorged for a while. Therefore next time you buy premium champagne for cellaring, it’s best to get those with a later disgorgement date - if it is mentioned on the label.

I haven’t tried a lot of 2008 vintage champagne but judging from Bollinger La Grande Année 2008 and various reports, 2008 is certainly worth keeping. Bollinger is available from Jebsen Fine Wines.

Légende, everyday wine with a hint of Lafite

Most of us know that Domaines Barons de Rothschild (Lafite) or the DBR Lafite Group, owns various chateaux and have investments in other countries in addition to Lafite. However, few of us are aware of the Légende, a range of Bordeaux appellation wines mainly for the on-trade market.

According to the group’s export director Michel Negrier, Lafite is an icon wine that wine lovers aspire to. With increasing interests in wine from the younger generation in the 90s, the group decided to create a wine that combines the elegance of Lafite and an accessible price point for these consumers.

First to decide is the name. It must be as easy to pronounce and remember as Lafite, and convey the message of tradition, modernity, history and terroir, and encourage discovery. Légende is the ideal name that lived up to the criteria.

The first vintage of Légende was 1995 and it was available in Hong Kong since 2002. We tried the full range of wine:

Légende Bordeaux Blanc 2015: a vibrant, easy drinking wine with no oak influence. The freshness of Sauvignon Blanc livens up the oiliness in food while the Semillon adds weight.

Légende Bordeaux Rouge 2015: a Cabernet Sauvignon dominated wine that focuses on the purity of fruit, another easy drinking wine appeal to new drinkers.

Légende Médoc 2014: Same blend as the Bordeaux Rouge with 60% Cabernet Sauvignon and 40% Merlot, the wine certainly shows the Médoc influence with more structure.

Légende Saint-Emilion 2013: a well balanced wine with 95% Merlot. Velvety tannin, red fruits and a hint of spices.

Légende Pauillac 2012: a wine with structure and elegance. Apparently the grapes were from Lafite’s vineyards, no wonder the wine is a league above the rest of the range.

Michel said Légende is approachable, fun, easy to understand; about sharing with friends and discovering the Bordeaux terroir. Like NV champagne, it focuses on year on year consistency rather than highlighting vintage differences. In Michel’s word, Légende is the ladder to Lafite.

While most consumers in the world would go the mainstream way to try the entry level wine first before moving up ladder, Chinese consumers tend to jump right onto the top of the ladder skipping the basic and intermediate levels. In my view, this is a wrong approach to wine as the palate of new drinkers are not used to the structure and complexity of first growth wines, and therefore would not fully appreciate the subtlety of these great wines. We need to be patient and climb the ladder step by step in order to fully understand and thus enjoy the wine at all levels and price points.

With Légende now officially launched, I hope young Chinese consumers would first make connection with Lafite’s younger brother before setting their eyes on Lafite itself.

By the way, the Group also produces champagne in a ‘Lafite, Mouton and Baron Edmond de Rothschild’ family project under the name Champagne Barons de Rothschild. The bubbly certainly lived up to the reputation of the family.

Both Légende and Champagne Barons de Rothschild are available from ASC.

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Does size matter? Comparing Tuscany Ruffino and Champagne Jacques Picard

Two tastings in a row: a guided tasting by Gabriele Tacconi, chief winemaker of Ruffino, a 130 year old family owned estate now under Constellation Wines, followed by a casual tasting with José Lievens, winemaker of third generation family-owned Grower Champagne Jacques Picard. After the tastings, I could’t help but ponder the conversations I had with these two winemakers.

Gabriele Tacconi, Ruffino

Ruffino is one of the biggest wineries in Tuscany, owning seven estates comprising over 1,000 ha of land (of which 600 ha are under vine), and makes 18 wines in Tuscany and 6 outside Tuscany. It is the winery that received the first 10 Chianti DOCG seals (numbers 1-10). In 1927 it launched Riserva Ducale inspired by the Duke of Aosta, who became a prominent customer in 1890. Riserva Ducale is the only Italian wine that can legally use the word ‘Riserva’ in its name.

Jacques Picard, by contrast, owns 17 ha of land in three villages in Champagne and makes 8 wines with a total production of just 12,000 cases. The two sisters and their husbands (José is one of them) are hands on with the running of the business and they also look after some vines for Pol Roger.

Both Gabriele and José are amiable, of a similar age (I would guess mid 50s), have worked in their companies for about 15 years and were in Hong Kong for the first time. At first glance the similarities stop there as, after all, they make very different wines in two different countries and the operations differ massively in size. Yet in fact, their philosophies are fairly similar. Gabriele respects the style developed at Ruffino over the past 130 years, which emphasises elegance, traditional and drinkability. He is particularly passionate about Sangiovese and prefers using cement tanks and old casks, rather than new barriques, to preserve its characteristics. Ruffino does make a Super Tuscan (Modus Toscana IGT), because consumers are asking for it, but Gabriele makes sure the wine still bears the structural hallmarks of Sangiovese and that the Cabernet Sauvignon and Merlot only enhance the richness rather than overpowering the distinct Tuscan character.

José Lievens, Champagne Jacques Picard

José is also an aficionado of terroir. While most champagne houses only make vintage champagne in good years, José makes it, named Art de Vigne, every year as he reckons vintage champagne records the characteristics of each vintage, thereby serving as a picture of that vintage in years to come. We tasted three vintages—2002, 2003 and 2005—and they were indeed very different.

What I really like about these two gentlemen is their approach to wine. Though not the same, they ring the same bell. Gabriele believes wine is about experience and lifestyle and that one drinks wine to enjoy food and life. José? He says wine is about sharing—it is for friends, not collectors. Well, I couldn’t agree with them more. I hope consumers will be inspired by them and will drink wine for pleasure—with food and to share with friends—rather than for the labels.

So back to the question: does size matter? Some wine lovers dismiss big producers believing they only make ‘factory’ wine. Ruffino proves this is not necessarily the case. And Jacques Ricard demonstrates that small producers can be creative and resourceful. Gabriele and José are evidence that it is the people and their passion behind the wine that matter.

Some of the wines tasted were:

Ruffino, available from ASC Fine Wines:
• Riserva Ducale Chianti Classico Riserva DOCG 2010: a fine example of Chianti Classico
• Greppone Mazzi Brunello di Montalcino DOCG 2007: elegant and classic, my favourite
• Romitorio di Santedame Toscana IGT 2004 and 2001: 60% Colorino, a dark-skinned, tannic native variety and 40% Merlot. Only made in the best years.





Jacques Picard, available from Sarment:
• Brut Nature NV: 70% reserve Chardonnay wine from 1998 to 2008 aged using the solera system, complex yet elegant
• Art de Vigne Millésime 2003: Biscuity and Marmite, a powerful wine. 2003 was a hot year.
• Art de Vigne Millésime 2002: Citrus, fresh and elegant, livelier than 2002 but unfortunately sold out
• Art de Vigne Millésime 2005: More buttery and vanilla, a rounder mouthfeel than 2003. This will be available in Hong Kong soon.

The many faces of Pinot Noir

Altaya has been running Passion for Pinot for five years. This year's seminar, entitled’ Unmasking the Grape: Diversity and Identity’, presented by speakers from five wineries on both sides of the equator and moderated by Debra Meiburg MW, was definitely one of the best seminars I have attended this year.

The speaker line-up included:
• Erwan Faiveley, seventh generation of Domaine Faiveley owning some 120 ha of vineyards in Burgundy,
• Cédric Oillaux, brand ambassador of Godmé, a five generation grower champagne in Montagne de Reims,
• Jo Mills, owner of family owned Rippon in Central Otago, now run by
the fourth generation,
• Brian Bicknell, owner and winemaker of Mahi in Marlborough,
• Steve Flamsteed, chief winemaker of Giant Steps and Innocent Bystander in Yarra Valley,
• A representative of Walter Hansel Winery from Russian River Valley was not present but his wines were featured

Ask any winegrower and they will all agree Pinot Noir is a temperamental, fussy grape. This seminar focused on four areas: climatology, geology, topography and techniques. Each speaker shared their experience on how they tame Pinot Noir in their vineyards, and more importantly, spoke of their passion for this variety. All the speakers love their dirt, which they believe is the key component of shaping the wine, but each of them also had some unique insights.

Steve from Giant Steps said the many different soil types in Yarra influence the way vines find water and minerals, subsequently influencing the fruit. Therefore soil really dictates the personality of the wine.

Jo from Rippon echoed that tasting wine is about tasting its form and shape, which comes from the soil. Rippon’s vineyard is mainly schist from glaciers, which is highly reflective, and when it comes into contact with water remains how it was rather than crumbling like clay, giving her Pinot its dense structure.

Cédric from Godmé illustrated the relationship between the top soil, the sediments and clay with their water retaining capability and the underlying chalk (limestone) in Champagne. Pinot Noir needs more water than Chardonnay to ripen properly so prefers a deeper top soil, but it cannot be so deep as to obstruct the roots reaching down to the underlying limestone for minerals. There are 84 plots at Godmé each producing a different style of Pinot Noir. Grapes for making the Blanc de Noirs are grown on plots with 25-30cm of top soil.

Erwan from Faiveley further elaborated that while terroir dictates the wine style it is climatology that defines vintage, and this is especially important in Burgundy given the ever changing weather. Vineyards in Burgundy are about the matching of soils of different water retaining capability with the right topography.

Brian from Mahi agreed that soil is about structure and its water holding capacity. He also explained the importance of rainfall, which is not replaceable by irrigation. The function of the leaves is photosynthesis. Irrigation may provide water to vines in dry weather but cannot provide moisture to leaves. Leaves may be too dry, causing the stomata to close and preventing them from functioning properly.

We tasted two different wines from each winery to understand the interactions among these four factors and how they affect the final wine style. 10 Pinot Noirs from five wineries and they were all different. The pairs from Faiveley, Rippon, Giant Steps and Walter Hansel were from different sites but the same vintage so we were tasting the effect of soil and topography on wine, while Mahi’s pair was from different sites and also different vintages so we had more elements to consider. Godmé’s pair was all about climatology—the difference 500 extra sunshine hours during growing season can make.

Godmé
• Blanc de Noirs Grand Cru Brut NV: Perfect balance between ripe fruit and minerality
• Millésimé grand Cru Brut 2003: A very rare vintage Blanc de Noirs, the first and only one from Godmé thanks to the exceptional heat wave that year that gave the region 2,100 sunshine hours instead of the normal 1,600 (most vintage champagne has a high proportion of Chardonnay for the acidity). Partial oak ageing and 10 years of yeast autolysis further added complexity to the wine.

Mahi:
• Marlborough Pinot Noir 2012 from five different vineyards in the cooler region of Marlborough
• Pinot Noir Rive Vineyard 2010 from a biodynamic vineyard

Rippon:
• Tinker’s Field Pinot Noir 2011 from 30 year old vines on their own roots and unirrigated, grown on a light clay soil
• Emma’s Block Pinot Noir 2011 mainly on schist soil, definitely more dense on palate

Giant Steps:
• Sexton Pinot Noir 2012 from a north facing warmer site with thin topsoil
• Gladysdale Pinot Noir 2012 from a cooler site at 350m with volcanic soil.

Domane Faiveley:
• Nuit St Georges 1er Cru Les Damodes 2011
• Nuit St Georges 1er Cru Les Porets Saint-Georges 2011, more floral with a herbal touch when compared with the first wine.

Walter Hansel:
• Pinot Noir South Slope 2011, warmer site displaying plush sweet fruits
• Pinot Noir North Slope 2011

Try this kind of pairing for yourself and you will see how mother nature plays its part in wine. Hopefully this will help you understand and appreciate more different styles of wine.

All wines are available from Altaya Wines.

“Where flavour and beauty meet ...”

What a name for a wine tasting event! Only the Italians are romantic enough to come up with such a name for a sparkling wine tasting session ... and it was not a disappointment. What’s more, the tasting was led by Hong Kong based JC Viens, a French Canadian who recently became an Italian citizen because of his passions for all things Italian, especially his lovely wife Maria. His enthusiasm was contagious.

If you think Prosecco is only a quaffing wine for making Bellini (a Prosecco based cocktail) or as an aperitif, read on and think again … perhaps you haven’t tried the Conegliano-Valdobbiadene Prosecco Superiore DOCG denomination yet!

When sparkling wine is made using the ‘traditional’ method where the secondary fermentation takes place in the bottle and the wine spends some time on lees to produce the toasty and nutty characters (through a process called yeast autolysis). A lot of people dismiss Prosecco as a ‘simple' wine because its second fermentation is carried out in pressurised tanks and it only spends a short time on lees. How wrong this view can be!

Prosecco is all about fruitiness, freshness and floral aromas. And the majority of the Prosecco in the DOC denomination may indeed be fairly simple, but those from the Conegliano-Valdobbiadene Prosecco Superiore DOCG are certainly not. This DOCG region, framed between the town of Conegliano in the east and Valdobbiadene in the west, is only 40km wide but has its own distinctive soils and climate. Conegliano is warmer with richer soil producing more structured and fuller-bodied wine, while Valdobbiadene, at the foothills of the Alps with more ancient soils, is renowned for more delicate wines with finesse.

To further highlight the quality, the authority has established a 'Valdobbiadene Superiore di Cartizze’ category, equivalent to the ‘Cru’ of the region. It lies in the Valdobbiadene commune comprising a 107 ha rectangle on steep hills. Moreover, a new quality category, ‘Rive’, meaning steep hills, was introduced in 2009 to highlight the stylistic variations between villages.

So, Prosecco is not always as simple as it might seem. We tried eight wines from different regions with various sweetness levels (Brut, Extra dry and Dry) and it was a fascinating experience. Each had its distinctive characters reflecting the terroir. Those from the Conegliano area were clearly rounder while the Valdobbiadene had more minerality.

The Conegliano-Valdobbiadene Prosecco Superiore DOCG denomination produces 68 million bottles annually, 23% of total Prosecco production of 300 million bottles (the rest is from the basic DOC denomination). By way of comparison, Champagne produces over 300 million bottles a year and Cava just under 250 million.

My favourite Proseccos are:
• Bortolin Angelo Brut for its elegance and floral nose. Available from EnvItaly.
• Valdellövo Extra-Dry ‘Annozero’ for its creamy mouthfeel. Apparently it is perfect with spicy Indian food according to both JC and Matthew Stubbs MW. Available from Soho Wines & Spirits.
• Marsuret Extra Dry ‘Il Soler’: vibrant and concentrated. Available from Marco Polo Fine Wines.

All that sparkles is not Champagne

It’s that time of the year again when sales of bubbly are traditionally at their highest. Despite the doom and gloom of the economy, people, especially wine lovers, do like to indulge. However, enjoying bubbly does not need to break the bank. There are plenty of good quality sparkling wines outside Champagne that one can enjoy all year round.

Champagne is expensive for a few reasons. The first is production. Secondary fermentation, where the bubbles are created (called the Traditional Method), occurs in the same bottle. The wine is then aged on lees, a procedure called yeast autolysis, to develop the bready and biscuity notes. The longer this period is, the more pronounced the yeast autolysis characters. By law, non-vintage champagne has to be aged on lees for a minimum of 12 months and vintage champagne for at least 36 months (and often much longer). The second reason is climate. Champagne is in a marginal grape growing area where grapes, when fully ripen, can still retain high acidity—a prerequisite for good sparkling wine. And last but not least is marketing. Only sparkling wine produced within the Champagne region can be called Champagne, and this helps build the aura of exclusivity around it. A lot of sparkling wine outside Champagne is produced using the same Traditional Method but only costs a fraction of the price. Admittedly, a fine Champagne often has more finesse because of the marginal climate, complex blending and use of reserve wine, that set it apart from the rest, but one should not dismiss the other sparklers as lesser quality.

Crémant is another French sparkling wine outside Champagne. It is made by the traditional method, using whole bunch pressing with extraction limited to 100litres of juice from 150 kilograms of grapes—exactly the same stringent approach as in Champagne. The wine has to spend a minimum of nine months on lees and the grapes are generally the best from the region for making still wine (the permitted grapes for Champagne are Chardonnay, Pinot Meunier and Pinot Noir). Crémant de Loire is usually made from Chenin Blanc, or Pinot Noir; Crémant d’Alsace from Pinot Blanc, Pinot Gris, Pinot Noir and sometimes Riesling; Crémant Limoux, from the high altitude of Southern Languedoc, is made from Chenin Blanc and Chardonnay. Retail prices of Crémants are in the region of HK$200/bottle.

Most of us know Cava, a sparkling wine from Spain made in the traditional method with a minimum of nine months ageing on lees. Most Cava uses the indigenous grape varieties Xarel-lo, Parellada and Macabeo for whites, and Garnacha (Grenache) and Monastrel for rosés. Chardonnay and Pinot Noir are also permitted. Cava has distinctive earthy notes (some say rubbery) because of the Xarel-lo. Most Cava is not for ageing, hence its modest price of just over HK$100/bottle. Segura Viudas Reserva Heredad, with up to four years on lees, is a steal at less than HK$200/bottle (Watson’s).

The New World, including Australia, New Zealand and the US, also produce good quality sparkling wine using Champagne grape varieties in the traditional method. The best comes from cooler regions of Tasmania, the Adelaide Hills, Marlborough and Carneros, all displaying riper fruit characters but a less defined structure than Champagne, but there are nevertheless some top quality New World sparkling wines that can rival Champagne. Cap Classique from South Africa uses mainly Chardonnay, Pinot Noir and Chenin Blanc following the ‘champagne’ method. Serious Cap Classique producers are members of the Cap Classique Association and some are available in Hong Kong. And for something out of the mainstream, try Casa Valduga from Brazil (importer Wine Patio).

In my view, the two outstanding sparkling wines outside Champagne are English sparkling wine and Franciacorta DOCG from Italy. Both have the elegance and finesse of Champagne. Southern England has similar soil (chalk) to Champagne and climate change now enables England to ripen Champagne varieties reliably to make top quality sparkling wine. English sparkling wines are scooping awards in international competitions and have beaten Champagne in various blind tastings. The problem is quantity, as demand is outstripping supply. The few I have tried and like are Ridgeview and Camel Valley, both available in Hong Kong, plus Nyetimber and Bluebell (not yet in Hong Kong). Franciacorta, made with Chardonnay, Pinot Noir and Pinot Bianco, must be aged on lees for a minimum of 24 months for non-vintage and 36 months for vintage.

Sparkling wine can also be produced using the Charmat or Tank method, meaning secondary fermentation takes place in a pressurised tank rather than in bottle. Charmat method wine usually spends no or minimum time on lees so production cost is considerably reduced. This method is particularly suitable for aromatic grape varieties where wine reflects the varietal aromas rather then the yeast autolysis characters. These wines should be consumed young and fresh. The most popular in Hong Kong is the Italian Prosecco with fresh aromas of apple and melon. Priced at about HK$100+/bottle, it is definitely value for money, particularly the DOCG which is of better quality. Another is German Sekt, the best being made from Riesling, although some serious producers make it using the traditional method.

The rising stars among sparklers are Asti and Moscato d’Asti from Italy with only one fermentation. They are highly aromatic with lower alcohol (7-7.5% and 5%), medium sweetness and less pressure, popular among young consumers.

With so many choices and reasonable prices, bubblies do not need to be saved for celebrations only. Enjoy one now.


Abridged version was published in the South China Morning Post on 12th December 2012

Brazilian bubblies

I don’t think many of us have tried Brazilian wine, let alone Brazilian sparkling wine. Therefore I was pleased to be invited to the Casa Valduga tasting. It is one of the largest and oldest wineries in Vale dos Vinhedos in the south of Brazil. The climate is humid and temperate but luckily the vineyards, located at between 450m and 650m above sea level, are cooled by the mountain breeze.

The verdict? This was actually my second time to taste Brazilian sparkling and I have to say Casa Valduga is better. Three wines, Espumante 130 Brut NV, Reserva Blush 25 Brut 2009 and Gran Reserva Extra-brut 60 2006, are made with classic champagne grape varieties in the traditional method. All are lively with a slight mineral note in the back palate. The Rose is fresh and soft, while the Espumante has more structure.

I won’t compare Brazilian sparkling wine, or in fact, any sparkling wine with Champagne. It is not fair. Champagne grows in a marginal climate and its production techniques have been perfected by years of experience. It is more refined and elegant but not many will have a glass of it every day. Sparkling wine is much more value-for-money, relaxing and fun. We should enjoy them for what they are: Prosecco for its freshness, Cava for the concentration and Brazilian for its liveliness.

Casa Valduga also has a Reserva Moscatel and a Gran Reserva Cabernet Sauvignon, available from Wine Patio in Hong Kong.