It’s a Revolution!

Swartland Independent? Most would assume it must be a bunch of arty people, radicals, rebels against big corporations. It turns out to be so much more.

Swartland Independent is a bunch of wine producers from the Swartland in South Africa, just over one hour’s drive north of Cape Town, but not just any old bunch. It is a group of like-minded winegrowers who believe in the true expression of the region’s terroir and in wines having their own identities.

The Swartland, like Stellenbosch, is a wine district in South Africa. Any wine made with grapes grown there can be labelled ‘Wine of Origin Swartland’. But to use the ‘Swartland Independent’ logo, producers must adhere to a set of viticultural guidelines with priority given to the conservation of old vines. The wine must be produced with minimal manipulation, with no use of commercial yeasts or enzymes, no added tannin or acid, and must not be chemically fined. Moreover, Swartland Independent believes that heavy oaking ‘masks’ the essence of grapes, so no more than 25% of a wine may be aged in new wood, and the wood must be of European origin. There are also guidelines on grape varieties. For whites, 90% must be Chenin Blanc, Marsanne, Roussane, Viognier, and specified others, while for reds, 90% must be Syrah, Mourvèdre, Grenache, Cinsault, and more. Commercially popular varieties such as Cabernet Sauvignon, Merlot, Chardonnay and Sauvignon Blanc are not permitted. The producers believe planting grapes on unsuitable terroir only results in wine with inherent limitations.

The result? Rhone blend wines from this Mediterranean climate in the Southern hemisphere. The wine is all about natural balance, freshness and purity.

The Swartland has some of the oldest bush vines in South Africa but viticulture was long in the back seat as this is traditionally a grain-producing area. Wines were robust and mostly fortified until a new generation of winemakers who believe in making wine that is a true expression of its origin went there to hunt for parcels of old vines.

Eben Sadie, one of the leaders of the movement, firmly believes in the diverse soils that the Swartland offers: decomposed granite in the Paardeberg Mountain, clay soils with iron similar to those in the Barossa, slate and schist, calcareous soils, sandstones from Table Mountain and alluvial soils like those found in Graves. It is a canvas upon which grapes can express their true sense of place. Eben praises bush vines with their 360º orientation towards the sun that helps avoid the excessive sun or shading of bunches that can occur on trained vines. And he expends the same effort in the winery. For years, he experimented with fermentation in amphorae underground, a Georgian winemaking tradition, with varying degrees of disaster until he finally mastered the skill. He is now extending the winery to accommodate a few amphorae. I am looking forward to trying those wines in a few years.

Swartland Independent has just over 20 members, all family businesses. Some of them, like Adi Badenhorst, ex-winemaker at Rustenberg, gave up their jobs in prestige wineries, while others, like Donovan Rall, still work for established producers but also make some wines of their own. Mullineux is an international team led by Chris Mullineux from South Africa and his wife Andrea from San Francisco. All of them, hands on in both vineyard and winery, gather in the Swartland to live their dreams of making passionate wine. Naturally, none of them has a big production. David Sadie (no relation to Eben) has just one barrel of 400 bottles for his Grenache Noir.

To attract the attention of wine lovers and to revive the image of the region, Swartland Independent organises an annual weekend event called The Swartland Revolution, comprised of tutored tastings, an auction and a braai (South African barbecue) evening that ends with a street-party open tasting. Tickets for last November's event sold out in 52 hours.

I am excited by the development of the Swartland and the enthusiasm of these producers. In the wine world, there are mass produced standardised wines that are clean and consistent but lack soul, and there are the premium wines with matching price tags that can only be a treat once in a while for many. To me, wines like those made by the Swartland Independent producers are wines for the true wine lover. We appreciate the fact that grapes are products of nature, and we embrace the different styles, even the not-so-mainstream funky ones. Above all, we respect winemakers who have the commitment, the passion and conviction to make wine that truly reflects the place.

Luckily, there is no shortage of like-minded producers in South Africa, and in fact in all wine producing countries. We should be bold enough to step out of our comfort zone and try wines from different regions and producers, including smaller and lesser known ones like these. Only then can we truly enjoy this wonderful drink that mother nature makes possible.

The Sadie Family wines is available from Berry Bros & Rudd.
Mullineux is available from Berry Bros & Rudd and Vincisive Wines.

Wine from a philosopher

I had another chance recently to meet Serge and Marc Hochar, the father and son team that runs Chateau Musar high up in the Bekaa Valley in Lebanon, this time tasting their whites.

Anyone who has spoken with Serge would agree that he is a charismatic gentleman. He has been making Chateau Musar since 1959, and although his son recently took over day-to-day operations, Serge still retains responsibility for overall direction in winemaking and continues to present the wines around the world, a role that he clearly enjoys.

Serge is a competent winemaker, but forget about asking him any technical details—I tried and failed. He prefers to talk about philosophy, and likens wine with the brain: we all have different ways of thinking and sensing, and so does wine. Every wine evolves differently. His 180ha vineyard is organic and the wine is made with minimal human interference and sulphur. Serge believes wines make themselves.

We tasted his white, the 1999 and the 1989. It is a blend of Chardonnay and Viognier, pale brown in colour. The 1999 had an intense marmite savouriness with a round mouthfeel and lingering length, while the ten years older 1989 was, surprisingly, much fresher on the palate with still a hint of the floral. Why? I asked. Was it because of the vintage, the winemaking, the ageing? He shrugged and said this is just how it developed. Just like himself: he felt he was younger now than yesterday — 27 years old, apparently. Well, I suppose we can’t be too technical all the time. After all, wine is for the enjoyment, especially with company.

Chateau Musar is not everyone’s glass of wine. ‘It is faulty, oxidised, bretty....’, said some, but then it has its loyal followers. Life wouldn’t be fun if every winemaker made the same "McDonald’s" wine.

Having said that, his new range, Musar Jeune, first produced in 2007, is unoaked, vibrant and approachable. With its modern label, it appeals to the young consumer who prefers an easy drinking style. It is apparently a big seller in Europe. The white is a blend of Viognier, Vermentino and Chardonnay. It is refreshing yet has a good concentration of fruit. Musar Jeune Red is a blend of Cinsault, Syrah and Cabernet Sauvignon with ripe tannins and a fruity palate. Despite his philosophical approach, Serge is still a businessman, sensing that a new style of wine is needed for today’s consumers.

When I left, I was still pondering some of Serge’s words: "My doctor is wine", "My whites are my reds"... Well, let’s have a glass of wine.

Chateau Musar is available from Fico International

Another grape variety for the list

Jancis Robinson’s latest book, 'Wine Grapes', lists 1,368 varieties. You may also have heard of ‘The Wine Century Club’: to qualify, you must have tasted at least 100 different grape varieties. Most of us would struggle to reach 50, so if you are going to set your mind on joining The Wine Century Club, or even on tasting all the varieties in Jancis’s book, here’s one you should try.

Christophe Reynouard, owner of Domaine du Grangeon in Cote du Rhone, proudly presented his hidden secret, the ancient grape Chatus. According to Jancis, Chatus used to be widespread from the Alps to the the Massif Central before the arrival of phylloxera, but it has largely disappeared except in the Ardèche, the western bank of the Rhone. Christophe said that after phylloxera most growers planted the higher yielding Carignan. Chatus, on its own rootstock, has only survived in areas where there is no clay, since phylloxera doesn’t like clay. Today, Chatus is being revived, with about 54 ha in the Ardèche shared by some 35 growers.

Chatus has small berries and produces wine with a deep colour. The wine's high tannin and acid structure and its aroma profile give it a resemblance to Barolo, which is not a big surprise as DNA profiling has linked Chatus to Nebbiolo. Christophe first started making it in 1998 using carbonic maceration because of the high tannin structure. Now, with better vineyard management and knowledge of the grapes, he makes it with 100% destemmed grapes, three to four weeks skin contact and 23 months ageing in new barrels. The high tannin is supported by the good fruit concentration and firm acidity, and it certainly has ageing potential.

Christophe is a prolific winemaker. He makes 15 wines from 17 ha of vineyard planted with some ten varieties. His philosophy? He has only 40 years as a winemaker before he has to hand the cellar key to the next generation. He could just make three wines a year, but he believes that the more he makes the more opportunities he will have to learn from his mistakes. Over a 40 year career he might make 600 wines, a much bigger satisfaction than making only 120.

Christophe's Viognier is a very pleasant wine with a chewy palate and an intense aroma of spices, ginger, and honey. No wonder, since he once worked as a cellar master at Georges Vernay, a famous producer in Condrieu. As well as the Chatus, another unusual wine is his Gamay Vin de Paille, made from dried Gamay grapes. A powerful sweet wine of red fruits and chocolate notes, it would make a good dessert on its own.

Christophe, rightly, is concerned about climate change. His Gamay is being harvested about seven days earlier now than in 1998 when he took over the domaine from his father. Growers in warm regions everywhere are searching for later-ripening grapes. Chatus, a mid to late ripener with high acidity, could well be the answer for growers in the Rhone.

Domaine du Grangeon is available from Cottage Vineyards.

Yalumba The Virgilius Eden Valley Viognier 2007, Australia

This is the flagship Viognier of Yalumba. Unlike most New World Viogniers which are powerful on the front palate but lack the length to balance it, the Virgilius is concentrated yet restrained. The aroma is complex with spices, grapefruit and stone fruits. It is rich with a creamy mouthfeel and a long finish. The secret? Grapes are from the oldest vines with low yield. Barrel fermentation, lees stirring and ageing in barrels add complexity and that creamy mouthfeel. Brian Walsh, chief winemaker at Yalumba, is proud of the achievement. Yalumba is widely recognised as one of the best Viogniers in the southern hemisphere.

Hong Kong distributor: Fine Vintage