New Kids on the Block

Another opportunity to taste South African wine, this time a masterclass at IFT Macau (Macau Institute of Tourism Studies) led by Richard Kershaw MW, an Englishman who is now making his own wine in Elgin, South Africa.

Richard called this masterclass 'South Africa New Kids on the Block' because the winemakers are based not in the classic wine regions of Stellenbosch or Franschhoek but in cutting edge areas such as the cool Elgin and Hemel-en-Aarde and the Mediterranean Swartland. Moreover, these winemakers don’t own vineyards and some not even wineries (they share wineries). They work with growers and source grapes from the best, mostly smaller and older, plots. These winemakers are also small scale operators, only make a few wines, most of them only two. Richard summed it up by saying that not owning land or wineries lowers the barrier of entry and therefore presents an opportunity for new winemakers to make something unique. These new kids, most in their mid 30s, focus on offering the best wines made from the best grapes.

The wines were divided into three flights. The first was white blends. Richard explained that a wine called a white blend tends to be lower quality, easy drinking and mostly box wine, but these winemakers try to make a point that white blends can in fact be decent. The blends are not Bordeaux SSB (Semillon-Sauvignon Blanc) but from a myriad of grapes with no dominant variety. While some are field blends form old vines, other winemakers source grapes from five or more vineyards to make a few barrels of wine.

Courtesy of David Wong

David Aristargos 2013: Only six barrels were made. This is a blend of Chenin Blanc, Viognier, Rousanne and Clairette sourced from seven vineyards. The wine is fresh, laden with fruit purity and has a concentrated mid-palate adding complexity. Winemaker David Sadie (no relation to Eben Sadie) is a member of the Swartland Independent and one of my favourite winemakers. He started with only 713 bottles of Aristargos in 2010 and now makes four wines of about 4,000 bottles. Available from Vincisive.

Rall White 2013: A Chenin Blanc, Verdelho, Chardonnay and Viognier blend. Chenin’s refreshing acidity gives the wine the backbone and minerality to support the floral notes and spices of the other varieties. Donovan Rall is another member of the Swartland Independent but some of the grapes of this wine were actually sourced from Stellenbosch. He makes only two wines (a white and a red), each only a few barrels.

Thorne and Daughters Rocking Horse Cape Wine Blend 2013: A blend of Rousanne, Chardonnay, Semillon and Chenin Blanc, this is another complex wine with a herb garden spicy aroma and a creamy palate. The wine takes its name from the rocking horse that John and Tasha Seccombe made for their eldest daughters using old oak barrel staves. John studied winemaking at Plumpton in the UK (where I also received my winemaking training) so I’m particularly proud of him. And yes, you guessed right, only 3-4 barrels were made.

The second flight was Chardonnay and Chenin Blanc, and again we tasted three wines:

Kershaw Elgin Chardonnay Clonal Selection 2012: From the coolest region of Elgin in South Africa, this wine is restrained and elegant and the oak fermentation and ageing (40% new oak) adds complexity. Richard is very precise and aims to create clonally selected, site-specific, cool climate wine from noble grapes. This Chardonnay is made from Clones CY97, CY95 and CY76. You will be able to buy it from Vincisive soon.

Alheit Cartology 2013: 88% Chenin Blanc sourced from four vineyards and blended with12% Semillon from old vines, this is a fine wine with good concentration and ageing potential. Owners Chris and Suzaan Alheit work with Rosa Kruger, a highly respected viticulturist in South Africa who is a pioneer in discovering forgotten old plots. This wine, Cartology, meaning the study of maps, is a tribute to Rosa’s work. The good news is that the wine will be soon be available in Hong Kong from Vincisive.

Testalonga El Bandito 2013: Love it or hate it, this is made from 100% Chenin Blanc with prolonged skin contact (I mean weeks!). It is two shades deeper in colour, structured with a bit of tannin, nutty yet floral and fresh, reminding me of Georgian qvevri wine. Someone in the audience said "cider" which was certainly not wrong. Testalonga is the own label of Craig Hawkins, winemaker at Lammershoek in Swartland.

The last flight was Pinot Noir and Syrah from the cool regions next to the Atlantic coast.

JH Meyer Signature Pinot Noir 2013: A charming, fruit driven wine with a good balance. Winemaker Johan only makes two wines, about 1,000 bottles each.

Crystallum Cuvee Cinema Pinot Noir 2012: Red fruits, hint of floral and spices, certainly a wine with depth and ageing potential. The father of this team of brothers, Peter Finlayson who put Walker Bay Pinot Noir on the world wine map, would be proud of sons Andrew and Peter-Allan.

Kershaw Elgin Syrah Clonal Selection 2012: Another precise, clonally selected wine from Richard using Clones SH9c and SH22. A subtle wine with black fruits, white pepper, spices and a hint of vanilla from the 50% new French oak. Soon available from Vincisive.

These wines are all good quality. But what I really like and appreciate is the commitment of the winemakers (often supported by their wives). They are not making crowd-pleasing wines but rather wines that respect and reflect their origins. These 'kids' are pursuing their dreams and making wines with their hearts, and we should applaud them.

Sadie’s Swartland Old Vines Series

"Make wine like tea, not like coffee"; ‘Putting wine in barrel is putting barrel inside wine’". These sayings sum up the winemaking philosophy of Eben Sadie, one of the most passionate South African winemakers I have been lucky enough to meet. He said he used to make big, pitch dark, oaky wines but now prefers to see finesse and elegance in a wine, without too much extraction (hence making wine like tea, not coffee). Of course he uses oak, but only old big, old barrels.

Eben has actually spent a fair amount of time outside South Africa, including ten years in Priorat, Spain. Maybe this explains why he appreciates old vines and makes Grenache and Cinsault. He is one of the pioneers in the Swartland region, with its Mediterranean climate and, even better, lots of neglected old vine parcels. He keeps looking out for such plots and, once he finds one he likes, he nurtures it back to health using natural composts, never man-made chemicals. His goal is to make wine that reflects the history and terroir of the plot, so he doesn’t blend wines. A couple of plots may be planted with different varieties and he will just ferment them together—a technique known as field blending.

The dry weather in Swartland means mildew is not an issue in the vineyard, but sunburnt grapes are. In the winery the grapes are sorted meticulously to make sure all sunburnt grapes are discarded as Eben doesn’t like the overripe, caramel taste they impart. He uses no chemicals, no filtration and no fining except for the 60ppm of sulphur dioxide that is necessary to ensure stability during a voyage over the equator.

Eben’s new range of wine, Ouwingerdreeks (meaning 'Old Vines Series' in Afrikaans), is made from some of those forgotten old vine parcels. He was in Hong Kong recently to present the 2012 vintage. All the wines have a purity of fruit, an elegant structure and not-overpowering aromas that make them perfect for food pairing.
 
The Ouwingerdreeks Range has a simple classic label design that conveys the down-to-earth character of the wines. But we noticed that each wine has a different colour wax seal, and it turns out there is a story behind that:

Pofadder: 100% Cinsault from 50 year old vines. Eben reckons Cinsault can only be made into good quality red wine when the vines are old. Young Cinsault should only be used for rosé. The wine has a black seal because the name means puff adder, a venomous black snake found in Africa.

Soldaat: 100% Grenache from 48 year old vines at 700m altitude. It is the altitude that gives the wine its freshness. Soldaat means soldier and the highest military honour is purple colour hence the purple wax seal.

Treinspoor: 100% Tinta Barocca (Tinta Barroca) of Portuguese origin. Eben describes the wine as a blend of Cote Rotie and Piedmont—the spicy, blue berries of Syrah combined with the tannin of Nebbiolo. The silver wax seal is derived from the name Treinspoor, meaning railway.

Skerpioen: A field blend of Chenin Blanc and Palomino from 66 year old vines. Eben swears that the saline taste (from the Palomino perhaps?) is heaven when paired with oyster cooked with lime peel and almond, one of his home-made dishes. The white wax seal recalls the chalk soil where the grapes are grown.

Skurfberg: 100% Chenin Blanc from an 88 year old vineyard 300 km from the winery. This one has 14% alcohol but is well balanced and supported by a fresh acidity and elegant fruit and perfume. It has a red wax seal because the plot is on red soil.

T Voetpad: A field blend of Semillon, Semillon Gris, Palomino, Chenin Blanc and Muscat d’Alexandria grown in one of the oldest vineyards in South Africa: the plot was planted between 1887 and 1928! A wine full of concentration that can certainly age gracefully. The yellow wax seal reflects the vineyard’s yellow footpath (Voetpad in Afrikaans).

Mrs Kirsten: 100% Chenin Blanc from the oldest vineyard in Stellenbosch, planted in 1905. According to Eben the pleasant oxidative character is a characteristic of the vineyard. Only 480 bottles are made each year. Why the orange wax seal? Simply because the owner of the plot, Mrs Kirsten, likes orange.

All these wines, of which only a few hundred cases are made per wine, retail here at just HK$200-240 per bottle, with the exception of the Mrs Kirsten ($740/bottle). These are some of the very best value wines I have ever had and, for once, I found myself begging a producer to increase his prices to be in line with consumer expectations (I suggested $280-$350/bottle)! Eben responded that wine is a living thing and he sees his work as agriculture—not agri-business. He just wants to make wine that brings pleasure to consumers. He would much prefer us to drink two bottles per night at a lower price than just one at a higher price ... but then Eben, you don’t make enough wine to satisfy the market!

Anyway, I’m stocking up now. If you want to do the same, Eben’s Ouwingerdreeks Range from The Sadie Family is available from Berry Bros & Rudd.

It’s a Revolution!

Swartland Independent? Most would assume it must be a bunch of arty people, radicals, rebels against big corporations. It turns out to be so much more.

Swartland Independent is a bunch of wine producers from the Swartland in South Africa, just over one hour’s drive north of Cape Town, but not just any old bunch. It is a group of like-minded winegrowers who believe in the true expression of the region’s terroir and in wines having their own identities.

The Swartland, like Stellenbosch, is a wine district in South Africa. Any wine made with grapes grown there can be labelled ‘Wine of Origin Swartland’. But to use the ‘Swartland Independent’ logo, producers must adhere to a set of viticultural guidelines with priority given to the conservation of old vines. The wine must be produced with minimal manipulation, with no use of commercial yeasts or enzymes, no added tannin or acid, and must not be chemically fined. Moreover, Swartland Independent believes that heavy oaking ‘masks’ the essence of grapes, so no more than 25% of a wine may be aged in new wood, and the wood must be of European origin. There are also guidelines on grape varieties. For whites, 90% must be Chenin Blanc, Marsanne, Roussane, Viognier, and specified others, while for reds, 90% must be Syrah, Mourvèdre, Grenache, Cinsault, and more. Commercially popular varieties such as Cabernet Sauvignon, Merlot, Chardonnay and Sauvignon Blanc are not permitted. The producers believe planting grapes on unsuitable terroir only results in wine with inherent limitations.

The result? Rhone blend wines from this Mediterranean climate in the Southern hemisphere. The wine is all about natural balance, freshness and purity.

The Swartland has some of the oldest bush vines in South Africa but viticulture was long in the back seat as this is traditionally a grain-producing area. Wines were robust and mostly fortified until a new generation of winemakers who believe in making wine that is a true expression of its origin went there to hunt for parcels of old vines.

Eben Sadie, one of the leaders of the movement, firmly believes in the diverse soils that the Swartland offers: decomposed granite in the Paardeberg Mountain, clay soils with iron similar to those in the Barossa, slate and schist, calcareous soils, sandstones from Table Mountain and alluvial soils like those found in Graves. It is a canvas upon which grapes can express their true sense of place. Eben praises bush vines with their 360º orientation towards the sun that helps avoid the excessive sun or shading of bunches that can occur on trained vines. And he expends the same effort in the winery. For years, he experimented with fermentation in amphorae underground, a Georgian winemaking tradition, with varying degrees of disaster until he finally mastered the skill. He is now extending the winery to accommodate a few amphorae. I am looking forward to trying those wines in a few years.

Swartland Independent has just over 20 members, all family businesses. Some of them, like Adi Badenhorst, ex-winemaker at Rustenberg, gave up their jobs in prestige wineries, while others, like Donovan Rall, still work for established producers but also make some wines of their own. Mullineux is an international team led by Chris Mullineux from South Africa and his wife Andrea from San Francisco. All of them, hands on in both vineyard and winery, gather in the Swartland to live their dreams of making passionate wine. Naturally, none of them has a big production. David Sadie (no relation to Eben) has just one barrel of 400 bottles for his Grenache Noir.

To attract the attention of wine lovers and to revive the image of the region, Swartland Independent organises an annual weekend event called The Swartland Revolution, comprised of tutored tastings, an auction and a braai (South African barbecue) evening that ends with a street-party open tasting. Tickets for last November's event sold out in 52 hours.

I am excited by the development of the Swartland and the enthusiasm of these producers. In the wine world, there are mass produced standardised wines that are clean and consistent but lack soul, and there are the premium wines with matching price tags that can only be a treat once in a while for many. To me, wines like those made by the Swartland Independent producers are wines for the true wine lover. We appreciate the fact that grapes are products of nature, and we embrace the different styles, even the not-so-mainstream funky ones. Above all, we respect winemakers who have the commitment, the passion and conviction to make wine that truly reflects the place.

Luckily, there is no shortage of like-minded producers in South Africa, and in fact in all wine producing countries. We should be bold enough to step out of our comfort zone and try wines from different regions and producers, including smaller and lesser known ones like these. Only then can we truly enjoy this wonderful drink that mother nature makes possible.

The Sadie Family wines is available from Berry Bros & Rudd.
Mullineux is available from Berry Bros & Rudd and Vincisive Wines.

Celebrating the Rainbow Nation of Wine

April was a busy month for South African wine in Hong Kong. To celebrate the country’s Freedom Day on 27th April, the South African Cosulate-General and Wines of South Africa lent their full support to various organisations in Hong Kong, including the South China Morning Post (SCMP) and the Hong Kong Jockey Club (HKJC), hosting a series of South African wine activities.

The SCMP South African wine evening saw 15 of Hong Kong’s South African wine distributors present over 130 wines from 36 wineries. Wines included both internationally acclaimed brands and less well known boutique names. Most were rated Platter’s 4 stars or above (for those who are not familiar with South African wine, Platter’s is the most comprehensive and authoritative annual South African wine guide. 5 stars is the maximum Platter’s rating). The HKJC, on the other hand, selected 10 South African wines of different styles, half available from Hong Kong and the rest directly from South Africa, to be served at its five venues, including country club, clubhouses and racecourses.

Being a fan of South African wine, I went to most of these events and talked to guests and consumers. I found that about half had never tried South African wine. Some didn’t even realise that South Africa was a wine producing country. But they were all curious and were generally positive about the wines after trying them. In fact, the country itself drew a lot of interest and we ended up having lively discussions on South African themes, from landscape and nature to culture and people. It seems that South Africa is, rightly, on the ‘countries to be visited’ list of quite a number of people.

Some people, though— and this includes people in the trade and even some South African winemakers—wrongly and unfairly dismiss South African wine for various reasons, one of which is Pinotage,. Pinotage is a cross between Pinot Noir and Cinsault, and is a unique South African variety. It is true that early Pinotage was often green and bitter, but with improved winemaking techniques and better understanding of the variety, today’s Pinotages should be a pride of of the South African wine industry. Its easy drinking style with moderate tannin appeals to inexperienced consumers. A few enthusiastic drinkers were comparing Pinotages from different wineries at the SCMP evening and happily declared that they liked the variety. Those who like rich wine were equally impressed by the more serious style of Pinotage that shows depth and ageing capability. The Rijk’s Pinotage Reserve 2008 at the HKJC was one of the most popular wines among Bordeaux drinkers.

Chenin Blanc is another variety that attracted attention. It has crisp acidity and can be made into different styles from sparkling and refreshing summer white wine to complex barrel fermented food-friendly wine and sweet wine. The Ken Forester Reserve Chenin Blanc (available from Kerry Wines) and Bellingham Old Vine Chenin Blanc (available from Northeast) were particular popular at the SCMP evening. Chenin Blanc is in fact a Loire variety although not many consumers are aware of this thanks to the ‘non-disclosure’ of grape varieties on most French labels, but it is in South Africa where the variety shows its true self. 1/5 of the vineyard planting in South Africa in Chenin Blanc, far more than what it is planted in Loire.

South Africa is also reputed for its international varieties: Pinot Noir and Sauvignon Blanc from the cooler regions of Elgin and Hermanus, full bodied Chardonnay and Bordeaux blends from Stellenbosch, Syrah and Rhone style wines particularly from Swartland. Its wine is as diverse as its landscape and culture. The wines showcased in the SCMP and HKJC events truly did impress some of the most discerning drinkers.

Hong Kong wine lovers deserve to taste more South African wine.

South Africa Freedom Day commemorates the country’s first democratic post-Apartheid elections in 1994. It unites South Africans of all colours and backgrounds to celebrate democracy and freedom. Next year will be its 20th anniversary. It would be a perfect moment to introduce more of these wonderfully diverse wines to Hong Kong wine lovers. We are all looking forward to celebrating the Rainbow Nation and its wine.