Showing posts with label China. Show all posts
Showing posts with label China. Show all posts

Friday, 13 March 2020

China’s low-latitude high-altitude wines

Yunnan province maybe too warm for vine growing but it is more than compensated by the high altitude. The vineyards in Shangri-la, the Tibetan highland in the northwest of Yunnan adjacent to Sichuan and Tibet, are planted above 2,000, and up to 2,900m.

At present, there are less than ten wineries in Yunnan of which three are only making ice wine. Thanks to friend and winemaker Ian Dai, we visited four of them in the cold month of January, experiencing first hand the challenges of making wine in such a remote place.




Shangri-la Winery (香格里拉酒業) is state-owned and the biggest in Yunnan. The company was set up 20 years ago with the intention to make Barley wine (青稞酒) but came across some healthy old vines in the region. It then pioneered grape growing and is now sourcing grapes from over 800 ha of vineyards spread among 168 villages and 320 blocks. Manager Li Da (李达) showed us a few vineyard sites. The slightly lower vineyards at around 2,200m are planted with red grape varieties dominated by Cabernet Sauvignon but the company also started planting Cabernet Franc, Syrah and Merlot about 5 years ago. Chardonnay was planted at higher vineyard site between 2,800 and 2,900m. We tasted only three wines, Chardonnay, Syrah and Marsan (Reserve Cabernet Sauvignon) and they were good with fresh acidity and lively fruit characters. I was pleasantly surprised by the Cabernet Sauvignon which I half-expected might be too oak dominate but it was not the case at all.




We continued down the Mekong River on a winding road to CiZhong (茨中), where winemaking was introduced by the French missionaries around 150 years ago and there are still old vines of Rose Honey (a Vitis Vinifera x Vitis Labrusca hybrid) grown within the church walls of CiZhong. Bertrand Cristau, a Frenchman based in Shanghai, had a calling to revive the missionaries’ winegrowing activity after his first visit to the region in early 2010. He eventually set up Xiaoling Estate (霄嶺) in 2013, a small outfit with only 3 ha of Cabernet Sauvignon, Merlot, Carmenere and Chardonnay scattered in four villages nearby. The winemaker for the first two vintages were a Swiss winemaker but since 2017, he engaged a Chinese winemaker Mu Chao (牟超) with experience in Burgundy and Sonoma. The barrel samples we tasted, 2018 Merlot, 2018 Cabernet Sauvignon and 2017 Cabernet/Merlot blend, were well-integrated with discreet oak and showed good potential. They only made 15,000 bottles in 2019 but Bertrand is planning to experiment with more grape varieties such as Pinot Noir and Syrah.

The next day we ventured to the village Adong (阿東) at 2,600m above-sea-level, home to the most internationally-known Yunnan wine Ao Yun (敖雲). We were greeted by the stunning snow-covered vineyard view against steep slopes and vineyard manager Rémi Vincent, who thoroughly explained the set up of Ao Yun and its terroir. Apparently, it is not common at all to have that much snow on the vineyard and we considered ourselves lucky to be treated with such an impressive view! Ao Yun was the result of a painstaking 4-year search for the perfect wine-growing site in China by the late winemaker Tony Jordan of Moët-Hennessy. The estate sources grapes from 28ha of Cabernet Sauvignon, Cabernet Franc, Syrah and Petit-Verdot between 2,200 and 2,600m altitude tended by 120 families under the strict supervision of Ao Yun viticulture team. Retailed at around HK$2,500 (USD300) per bottle, it is the most expensive wine from China and for a reason. Average yield is only 20-25hl/ha and all wine is aged in barrel (50% new and 50% one year old) for around 15 months. Since wine is less expressive at high altitude, blending is done in the lower altitude of Hong Kong. Only 20,000 bottles of wine are made. The 2018 and 2019 barrel samples we tested were from different villages and they were all dense, pretty and polished.



Just down the road of Ao Yun is the mini-winery of my friend Ian, who makes wine under the label Xiao Pu (小圃酿造). The Chardonnay was sourced from vineyards close by, fermented with wild yeast and skin contact then aged in old barrels. The wine is the complete opposite style of Ao Yun’s – fresh, pure and  exciting. I couldn’t help but wonder the human terroir factor. When the grapes are picked and how the wine is made certainly have a major impact of the final style. 2018 is Ian’s first vintage in Yunnan (Chardonnay and Cabernet Sauvignon) and he also makes 6 wines with grapes sourced from Ningxia.


Li Da, Bertrand, Rémi and Ian all believe Shangri-la presents a more favourable terroir for growing vines. The Meili Snow Mountain (梅里雪山) at 6,740m above sea level north of Shangri-la blocks the humid air from Indian Ocean therefore the area enjoys a dry growing season with between 300 and 600mm annual rainfall. The mountain terroir and high altitude result in high diurnal temperature difference and cool summer with average temperature around 23ºC that allows grapes to ripen slowly and retains acidity. Rémi further elaborated that comparing to Bordeaux, the vineyards receive 2 hours less sunshine because of the shade created by the mountains. However, the intense UV light at such high altitude enables riper tannin. The veraison period is also 15-25 days longer than in Bordeaux and harvest can be up to 10 weeks from the first week of September until the second week of November. Li Da said winter temperature can be -8 to -10ºC but it is not over a prolong period therefore vines do need to be buried under soil for protection.

In this respect, Shangri-la has advantages over Yantai (煙台) in the eastern coast of China where rainfall is abundant, and Ningxia (寧夏) in the west where the short growing season often results in unripe tannin especially in Cabernet Sauvignon. However, Shangri-la is not without challenges. The region is not easily accessible and electricity not reliable. The winery of Shangri-la Winery is closer to Lijiang, some 300km from the vineyards and grapes have to be trucked over 5 hours for processing at harvest. When we were there, the main road over the mountain pass and airport were closed because of bad weather, and it took us 10 hours for a 400km bus ride from Lijiang to Deqin (德欽), , the town closest to the vineyard sites! The other issue is labour as the wineries have to compete with the mushroom industry for labour during mushroom picking season in summer. On top of this is the cost, only viticultural expense including leasing of vineyard and labour is a whopping Rmb5,500/mu (over HK$90,000/ha).

Unless the infrastructure and transportation are vastly improved, wine from Shangri-la will remain niche and premium. Perhaps we just have to accept the fact that the wine indeed comes from a lost paradise.

Both Xiaoling and Ao Yun are available from Watson’s Wine.

Friday, 14 February 2020

Domaine Franco-Chinois re-visit

When I visited Canaan Wine (迦南酒業) and its sister winery Domaine Franco-Chinois (中法莊園), located in Huailai (懷來) in Hebei province back in mid 2017, the wines were not commercially available despite the fact that wine has been made since 2003. The selection of wine I tasted then was much better than some of the more famous Chinese brands but the owner thought that it was still not good to be released.

Therefore I was glad to finally have seen and tasted Canaan Wine, under the name 詩百篇, at Shanghai Pudao retail shop cum wine bar in November 2019, and even more excited to visit the winery again in the beginning of 2020.

Canaan Wine was launched in 2018 but they decided to use the brand name 詩百篇 to avoid confusion with another winery in Ningxia called Kanaan Winery (迦南美地酒莊). The name 詩百篇 suits well because the Taiwanese owner is a Christian and the name implies hymn and also has a poetic connotation in Chinese.

Most wineries in China only focus on Cabernet Sauvignon or Bordeaux blend and Chardonnay regardless if the soil and climate are suitable for these varieties. Cannan is creative and has also planted Riesling, Sauvignon Blanc, Pinot Noir, Tempranillo and Syrah at different attitude between 500 and 900m, spread over 300ha. Winemaker Zhao Desheng likes to experiment with clones. He has 10 clones of Cabernet Sauvignon and 7 clones of Pinot Noir. He explained that different clones have different expressions even fermented with the same yeasts and aged in same barrels therefore blending them together with give more complexity to the final wine.

The Riesling 2017 is refreshing with abundant lime aroma not dissimilar to Clare Valley’s while the 2017 Syrah has a pleasant peppery nose and integrated tannin. I like the lively 2017 Pinot Noir which has potential to develop further in bottle. The 2014 Cabernet Sauvignon Grand Reserve shows depth and is well balanced.

Another impressive wine was the Domaine Franco-Chinois 2013 Marselan (we tasted this alongside 2014 vintage). Marselan is a cross between Cabernet Sauvignon and Grenache developed in the 1960s in France. It was planted at Domaine Franco-Chinois in early 2000, then a Sino-French joint venture before being acquired by Canaan in 2010. It was the first planting of Marselan in China and it prove to adapt well. It is easier to manage than Cabernet Sauvignon and is gaining popularity in China. Although Deshang said it is not easy to make an outstanding Marselan, this 7 years old Marselan is still bursted with red fruit aromas supported by great acidity and I’m pretty convinced that this is one of the outstanding Marselan in China.

Apparently, when the owner of Canaan decided to make wine in China, they spent three years between 2006 and 2009 researching 16 regions in China and decided Huailai in Hebei is the most suitable in terms of soil  and climate. The region has been growing table grapes for 1,000 years and China’s first bottle of dry white wine was made here in 1979.

The wine is not available in Hong Kong yet but if you are visiting Beijing, drop by the winery where the beautiful tasting room has just been built. It is just 90 minutes from the centre of Beijing.

Friday, 15 September 2017

China’s hidden secret

Those following the China wine industry for a while probably agree that it is going in the right direction.The outstanding wineries that are on everyone lips are Silver Heights, Helan Qingxue, Skyline, Chateau Nine Peaks, to name a few. And I’m glad to add another one on the list: Canaan Wine (迦南酒業) in Hebei. The only issue is that the wine is not commercially available ... yet.

Founded in 2009, Canaan Wine is a new project of Domaine Franco-Chinois, a Sino-French joint venture winery more focus on scientific research. It has 300 ha under vines on different altitudes: 500m for red varieties, 600m for Pinot Noir and Chardonnay, and 900m for aromatic white such as Sauvignon Blanc.

I was lucky to have visited the vineyard and winery with winemaker Zhao Desheng. The vineyard is meticulous and they have their own nursery. I was even more impressed with the winery. It is clean and well maintained but more importantly, there are small stainless steel tanks, the first time I saw in China wineries! Not only do small tanks allow experimentation, they also provide more flexibility so there won’t be half empty (or half full) tanks where wine is more prone to oxidation and spoilage. The barrel rooms are temperature control and there are a full bottling line and laboratory.

Desheng spoilt me with the tasting. The first was a 2016 Chardonnay barrel sample (100% new). It has intense spices and yellow fruits on the nose but the palate is fresh with good acidity and lingering length. It was a nice surprise and set the pace for the tasting. Next to follow were bottled Cabernet Sauvignon (2012, 2013, 2014), a 2012 Syrah Reserve and a 2012 Domaine Franco-Chino Reserve. The wines are of different styles but they are all integrated and exhibit a certain elegance.

I persuaded Desheng to give me some Pinot Noir. We tasted the 2015 tank sample which was vibrant, full of cherries and balanced. The 2013 in bottle was more restrained with developed bouquet of spices and pepper.

I thought this was a perfect end of the tasting and I was shown a botrytis Sauvignon Blanc. It has dried fruits and nuts aromas, a little volatile acidity and good acidity. I suddenly very envied Desheng’s job. He said the owner said the wine is not good enough to be released so he has to keep trying and has all the freedom to experiment. I didn’t visit too many wineries in China and Canaan Wine is one of the most un-Chinese winery I visited.

Canaan Wine certainly has ambition. They are developing a tasting room/visitor centre with catering facilities so they have all the intention to make the wine commercially available. Let’s hope we don’t need to wait for too long.

Monday, 6 October 2014

Ningxia, the next big thing in China’s wine world?

It may be one year since I was in Ningxia but I think my observations still hold true....

I’d heard so many things about Ningxia so I was delighted when I finally got the chance to see it for myself. In my 12 day visit in late September last year, not only was I able to visit a few wineries, but I also attended the 2013 OIV (International Organisation of Vine and Wine) Academic Conference, judged at the Ningxia Wine Competition, tasted grapes at several vineyards, and crushed two tanks of Merlot at Silver Heights.

So what do I think of Ningxia? In short, good potential for making outstanding wine but owners need to work on vineyard management and cellar hygiene.

The geography, climate and soil
Ningxia is adjacent to Inner Mongolia with Helan Mountain forming the border. The eastern slope of Helan Mountain lies within Ningxia and the western slope in Inner Mongolia. Most vineyards (at least the quality ones) are located on the slopes of Helan Mountain, about one to two hours drive from Yinchuan, the capital of Ningxia. Some vineyards are as high as 1,000m altitude.

Yinchuan, about 800km west of Beijing, has a continental climate with summer temperatures reaching over 32ºC and winter temperatures falling as low as -20ºC. It is dry with annual rainfall of only about 200mm, but luckily there is plenty of water for irrigation from the Yellow River. The advantage of the continental climate is the high diurnal temperature range during the growing season. In Yinchuan the average high in July is 30ºC and the average low 18ºC, while average sunshine hours are 3,000 per year. Grapes ripen at a nice pace while still retaining their acidity, a prerequisite for making good quality wine. Dry weather also results in low disease risk, especially from mildew which is a big problem on the eastern coast of China.

Soils are predominately free-draining gravels with various clay and schist components around the region, again ideal for vine growing.

Big wineries like Great Wall, Changyu and Grace were buying grapes from Ningxia to make elsewhere long before they established their bases here.

The main downside is the bitter cold and dry winter conditions that force growers to bury their vines under soil in winter to protect them. However, this is not foolproof. The vines have to be bent down every year, which shortens their life, and up to 10% may die every year during the process. Brett Richardson, viticulturist of Pernod Ricard Helan Mountain, said vines buried under soil are also prone to infection through pruning wounds. Having said that, Dr Tony Jordan, who has tramped all over China to identify the ideal area for setting up a sparkling wine vineyard for Moet Hennessy, reckons that if the vines can produce outstanding grapes their relatively short life is a fair price to pay. He established Domaine Chandon for Moet Hennessy in Ningxia. It opened early this year, with a great view of Helan Mountain.

With the advances in vineyard management, surely there must be a better way of protecting vines from the harsh winter? In fact, I was wondering about going back to the basics of planting low bush vines like in Spain or Southern France. Instead of bending the trunks of vines so as to be able to bury them under soil, the soil could instead be pushed up to cover the crown. OK, this may have other consequences, such as spring frost risk, but at least the vines would be stronger and more resilient. Not only that, it is labour intensive to bury the vines in winter and dig them up again in spring so vineyard operation cost is high. Pushing up the soil would be cheaper. I was surprised to find that the average price of grapes is more than double that in South Africa (HK$7,000/ton vs HK$3,000/ton) and, according to Debra Meiburg MW, certainly more expensive than in Sonoma. At the OIV Conference, Mr Li Hua, Vice President of Northwest A&F University suggested training the cordons at ground level, adopting a similar thought to mine that soil could then be pushed up to cover the cordons instead of bending the vines.

I would love to see some proper research done on this issue in Ningxia. I wonder if viticulturist guru Dr Richard Smart might be interested?

Grape varieties
The mostly planted varieties in Ningxia are red Bordeaux varieties: Cabernet Sauvignon, Merlot and Cabernet Gernischt (aka Carmenère) because of the preference of Chinese consumers towards Bordeaux wine. I wonder if these are really the best choices. Both Cabernet Sauvignon and Carmenère are late ripeners so perhaps not the best in areas with a short ripening season.

There is some Syrah in Ningxia but the the vineyards I visited were badly managed. The big bunches were hidden among leaves and the vines looked sad. At end of September, the grapes still tasted fairly green with perhaps 11% potential alcohol. However, I do believe Syrah, with proper vineyard management, could thrive in Ningxia. I can imagine it being similar to the Syrah from Elqui in Chile. Dr Qiu Wenping from Missouri State University reckoned Malbec would also be a good candidate.

White grape varieties, especially the aromatic ones, would also be suitable. Some of the best white wine I tasted in Ningxia was Welschriesling (貴人香), light and refreshing. I think Muscat could be interesting, and  so could Verdelho. Sadly, white wine has not yet taken off in China so most growers still concentrate on the red varieties, especially Bordeaux ones.

The state farm group Ningxia Nongken (農墾) has developed a nursery, with nearly every variety under the sun being cultivated. They have ambitious plans (who doesn’t in China!) to produce three to five million young vines per year. Let’s hope some growers will take up some interesting varieties.

Knowhow and technique
After visiting vineyards and wineries and tasting some wine, I concluded that Ningxia still has a long way to go before realising its full potential.

Starting with vineyards, management needs to be improved vastly to produce quality grapes. Apart from the training concerns discussed earlier, the immediate issue is virus infection. Over half of the Cabernet Gernischt is infected with leafroll virus but it appeared that growers were not aware of it. The vines have red leaves, an indication of the virus, but growers seemed to believe this was a characteristic of Cabernet Gernischt. Dr Qiu conducted research back in 2008 and confirmed that over 60% of the vines were infected. No wonder the wine tasted green and musty.

At Chateau Changyu Moser XV, with its grand castles, a poster in front of the Cabernet Sauvignon plot described the wine as having “a pleasant pale green grass aroma” (悅人的淡青草味). Well, it should be blackcurrant, if ripened properly. Green grass aroma is unripe Cabernet Sauvignon, I’m afraid, and not something you want to advertise.

As with most vine growing regions in China, Ningxia has its share of conflict between growers and winemakers about yield versus quality. This problem will not go away if contracted farmers continue to be paid by tonnage. Obviously they want to maximise yield. Just look at the size of their table grapes, they can be as big as strawberries! I witnessed how Emma Gao and her father from Silver Heights charmingly liaised with growers on yield, but at the end of the day there is little they can do. Helan Mountain, owned by Pernod Ricard is more farsighted. After splitting with their joint venture partner they are now managing the vineyards in a different way, with farmers being paid for following instructions rather than on tonnage. This is certainly the way to go.

Good quality may be a prerequisite of good quality wine but winemakers can still ruin the fruits through poor cellar hygiene and careless handling. At the Ningxia wine competition I dare say 30% of the wine we tasted was faulty and another 30% showed bad winemaking, from reduced and oxidised to brett and corked. The 12-person judging panel consisted of experienced writers and professionals from the UK, France, Australia, China and myself. We were all making faces and noises during the tasting.

One of the comments I made to winemakers was that most of their wines were over-oaked. Delicate fruit aromas were overpowered. This is probably because of the current preference of local consumers, who rightly or wrongly believe that any wine aged in wood must be expensive and therefore must taste good. Balance is the key to all good wine so I hope both winemakers and consumers in China will come to appreciate this soon.

Ms Zhang Jing (張靜), winemaker at He Lan Qing Xue (賀蘭晴雪) asked if we could taste the terroir in the wine. My answer? Terroir is a combination of climate, soil, grape varieties and man’s efforts. Ningxia is still at the experimental stage, trying to find the right varieties and clones that can grow in the dry and continental climate and match the soil. Too much oak also doesn’t help: it masks the expression of the fruit, which is the heart of terroir. I think terroir will only come through after all these building blocks are in place. Rome was not built in a day ... and France has been making wine since Roman times. There is only one vintage per year and I think my fellow Ningxia winemakers have to be patient about laying claim to an identifiable ‘terroir’.

But I’m heartened to see that winemakers are willing to learn. At first, most of the judges were reluctant to criticise the wine but after I made the first critical comment, everyone chipped in. To their credit, winemakers listened and asked even more questions. At the end of the ‘grilling session’, we urged them to try different wines from other countries (not only China  and France). Learning wine comes from tasting and seeing more.

Government support, tourism, competition
The Ningxia Government is very supportive of the wine industry. They have ambitious plans to develop Ningxia into a ‘million mu (66,000 ha) vineyard corridor’ and are giving incentives to wineries and even non-wine related companies to develop vineyards and wine tourism businesses. Ningxia was also the first region in China to be accepted as an official observer at the OIV in 2012 (the other was Yantai but that is at the municipal level). Hopefully, with both government and OIV support, Ningxia will have better access to vineyard and winery management in order to improve its wine quality.

Site plan of Changyu Moser XV
Wine tourism is logical given that most consumers are not wine geeks like us and will probably get bored after visiting a couple of wineries and looking at the same old stainless steel tanks and oak barrels. Some wineries, notably Changyu Moser XV, have built their wineries like theme parks. It has two big castles, a welcome fountain (which is turned on when visitors arrive) and an impressive barrel hall. Fongyee Walker, a Beijing based w
ine educator and writer, joked that a tour of Changyu is like walking into Ikea —it’s one-way, big and never-ending. Great Wall is building another massive establishment with 3,000ha land and Rmb310 million of investment (yes, most wineries like to boast about how much money they have spent or will spend). St Louis-Ding, though a relatively small outfit, still has a Disney-like castle with a sad looking fountain in front that makes it look more like a movie set where there’s only a facade.
St Louis-Ding

This is all good but my point is that wine should be at the core of wine tourism. If the region builds a reputation for good quality wine, wine lovers and friends will like to see it, and tourism will then naturally develop. All these big investments in Ningxia, from my point of view, are like a child trying to run without first learning how to walk. Projects that are built on expectation rather than competency are often short-lived. Various wine routes in South Africa, most notably Stellenbosch, and California (eg. Napa and Sonoma) are successful wine tourism case studies that Ningxia should learn from.

To illustrate, the government was keen to show judges the latest wine tourism attraction: a defunct mine turned into a wine cellar in the middle of the mountain. We were bused there in the afternoon to walk a 1km tunnel at below 10ºC (we were all given jackets) where boxes of wine from various wineries in the region are stored. At the end of the tunnel is a small table and some shelves, presumably where wine tastings could be conducted. But who wants to taste wine at 5ºC? Anyway, the joke was that the entourage of some 30 people including staff, cameramen and guests walked all the way to the end of the tunnel, expecting a speech or some introduction, but the only words the chief said were ‘let’s go back’!

We were secretly thankful that we didn’t need to judge the wine in that freezing cold and dark tunnel, but the actual judging conditions were not much better. The room we were in, just outside the tunnel, was about 12-15ºC to start with but getting colder as time went by. The wines we judged were apparently stored in the tunnel and were at 2-3ºC at most, muting the delicate aromas of some potentially good wines. The organiser rolled out a portable heater but the room was too big for it to be effective. And it was not only we judges who had to endure the cold room (and at least we had a job to do); there were about 10 others who were not judges but had to sit there waiting for us to finish our work. They weren’t even given any wine to taste! We had no idea, and I’m sure they themselves hadn’t either, why they were there.

International interests
It is not only local wine giants such as Changyu and Dynasty that have made significant investments in Ningxia; foreign wineries have also noted the region’s potential. Pernod Ricard is now the 100% owner of Domain Helan Mountain, while Moet Hennessy has a joint venture with Nongken, the local state farm group, to produce sparkling wine and Austrian Lenz Moser has partnered with Changyu.

Ever since He Lan Qing Xue’s Jia Bei Lan 2009 Cabernet blend won Decanter’s ‘Red Bordeaux varietal over £10’ International Trophy in 2011, Ningxia has been drawing international media attention with high profile visits from the likes of Jancis Robinson, who has four Ningxia wines out of six in her most favourite Chinese wine list (Ch. Changyu Moser XV, He Lan Qing Xue, Helan Mountan, Silver Heights).

Judging at this Ningxia wine competition were several international experts including Jeremy Oliver and Nikki Palun from Australia, Anthony Ross from the UK and Xavier Mihade, Denis Saverot and his colleague from France. They all agreed that Ningxia (or Helan Mountain Eastern Slope as the government calls it), has potential although there is a lot of catching up to do.

China is the fifth largest wine producing country in the world, and one of the fastest growing wine consumers. In my view, Ningxia and the west are certainly more suitable for vine growing than the east. No doubt the region will continue to attract attention and investment, both from abroad and within China. It is up to Ningxia to keep up with the expectations it has generated.

*****

I have faith in Ningxia. The soil and geography are right and the climate issues can be tackled. What the industry needs to do is to focus on finding the right grape varieties, improving vineyard and winery management, gaining experience from abroad, and widening consumers’ tasting palates. I’m sure Ningxia wine will shine one day, and I would love to be part of the process of seeing and making it happen.

Most great wineries are built and improved over generations. Ningxia, you are only a toddler, so be patient if you want to grow up to become a serious player in the world of wine—but what potential you have!

Wineries visited:

Chateau Changyu Moser XV 張裕摩塞爾十五世酒莊
Fairytale-like castles with a Hollywood movie-set cellar tour to match. After tons of charming and bullying, we were finally allowed to taste one wine—I was there with five other judges from the Ningxia Wine Competition and all of us had VIP badges from the organiser. We tasted this wine with its label in Chinese that said ‘exclusively for group buying’ (團購渠道專供). Selling price Rmb1,480 and the wine was faulty.

COFCO Great Wall 中糧長城
Another ambitious enterprise with 126 massive stainless steel tanks. Restaurants and all kinds of tourist entertainment are planned. Chief winemaker Jiang Tao (江濤) gave us two wines for blind tasting, a white Welschriesling and a red blend of 75% Cabernet Franc and 25% Cabernet Sauvignon. Both were very well-made. I was particularly impressed by the white.

Moet Hennessy Domaine Chandon (Ningxia) 酩悅軒尼詩夏桐
A modern European design, understated but no doubt expensive, with a panoramic view of Helan Mountain when the weather permits. Its first vintage will only be released in 2014 so we could only taste its sister wine, Chandon Australia, at the visitor centre. Anyway, with vines planted at 1,100m altitude, the full support of Moet Hennessy and the guidance Dr Tony Jordan (winemaking consultant), watch out. It might well be the first Chinese-made quality sparkling wine!

Pernod Ricard Helan Mountain 保樂力加賀蘭山葡萄酒廠
Run by Aussie duo Craig Grafton, the chief winemaker, and Brett Richardson, the viticulturist, this now 100% Pernod Ricard owned operation was the only winery that showed us the vineyard and explained to us the challenges of vine growing in Ningxia. A clean and well-maintained winery and well-made wine across the board. The barrel-fermented Chardonnay 2011, reasonably priced by China standards at Rmb270, won the trophy at the Ningxia Wine Competition.

Saint Louis-Ding 聖路易.丁
The property is a straight copy of a Disney castle. The wine is spicy with very generous use of oak and a price tag to match. The 2011 is still in barrel and the estimated selling price is Rmb200,000 per barrel (about Rmb650/bottle). Its 2009 vintage sold at Rmb3,999. By the way, the Ding after Saint Louis is the last name of the owner.

Silver Heights 銀色高地
The most down-to-earth and real winery I visited in Ningxia. Exactly like being in a small family-run winery in France or New Zealand. Emma Gao (Gao Yuan, 高源), the winemaker and her father Gao Lin (高林) conducted wine tasting for vistors on the patio next to the tanks, and you can pick dates and table grapes fresh from the trees/vines. My favourite wine is The Summit 2011. It’s too early to drink now but there is concentration and structure with the right amount of oak giving it elegance.

Xi Xia King 西夏王葡萄酒業集團
Impressive entrance with vines planted along the road leading to the property. We were shown the bottling line through a glass partition but not the winery (車間) because they were processing (health and safety issue?). There are one processing plants in operation and another two under construction, each with a capacity of 10,000 tons. At the end of the tour we were shown the display room but got no wine tasting. We bought a Cabernet Gernischt NV at 12% for Rmb400 for lunch. It tasted green.

Monday, 24 September 2012

China wine from the Scottish castle


I was so happy to be able to get my winery hands dirty again, this time at Treaty Port in Yantai, China.




Most wineries in China need to make a statement, and this one does so in the somewhat startling form of a Scottish castle set on a hillside overlooking a reservoir about 30 minutes south of Penglai. I was picked up from the airport in a blue London cab and greeted at the castle by staff wearing Scottish kilts. All very posh, and I was not quite sure what to make of the whole thing until I met the owner Chris Ruffle and his Australian consultant winemaker Mark Davidson.

Chris is a Yorkshireman who has spent years in China making his fortune as a money manager. It is easy to assume that the Treaty Port project is a rich man's toy, but instead of boasting how great the wines are, Chris talked about the diseases in the vineyards and other challenges. 2009 was the first vintage and there was no 2010 because the crop was lost to frost. 2011's was small and this year was better although still not significant. Chris and Mark are in constant discussion about how to improve the vineyards: planting grass between rows to bind the soil, using organic matter to improve it, raising the trellising higher to minimise the threat of mildew, replacing varieties that are not suitable for the site. He is open to ideas and the goal is to produce a good quality wine that China can be proud of.

To make sure the winery is run to international standards Chris employed Shao, a young local man with no previous winemaking experience, to learn from Mark, even sending him to Hunter Valley to work in Mark’s winery for a few months. Shao, sensing the opportunity, is hardworking and willing to learn. Instead of just doing whatever he is told, he thinks and tries to understand the 'why'. Eager to pass on some of my own winemaking knowledge, I saved wine and juice samples from before and after trials for him to taste, so he could see the reasons why we stopped fermentation of the Riesling at a particular point, or added bentonite to this tank, or blended the two rosés together. He told me he would like to develop a career in winemaking. He is in the right place at the right time. I wish him all the best. China's wine industry is going to need a lot more enthusiastic youngsters like him.



Yantai may not be the perfect location for vinegrowing, the Scottish castle may be too imposing for some, and Treaty Port wine may still need a few years to establish its identity, but having lived and worked here with the staff, albeit only for a couple of weeks, I do believe there is a future for Yantai and Treaty Port. Old World wine regions have had hundreds of years of experience to match the vine varieties with the terroir. Yantai is still at the experimental stage; they will get there one day. The important thing is the willingness to learn and improve, and—I can’t emphasise enough—the passion. A wine is always more enjoyable when you know the story behind it, and Treaty Port certainly has its story. Sure, there is lots to be improved, and the weather is not ideal but it is the enthusiasm of the Yorkshireman with his equally eager Chinese team who believe China can produce good wine that will make the difference.

If you have a chance, spend a relaxing weekend at this Scottish castle. You’ll be pampered by Emma, the manager of the castle and her brilliant cooks—local ladies who were sent to Shanghai to learn western style cooking. Enjoy the countryside, full of apple and peach orchards. And if you are lucky, perhaps you may bump into Mr Rothschild at the Lafite vineyard around the corner from Treaty Port.