James Bond Champagne Bollinger celebrated La Grande Année 2008

I never say no to bubbles so it was with pleasure that I attended the launch of Bollinger Le Grande Année 2008 lunch recently, and especially that 2008 is a legendary vintage for champagne.

2008 had perfect weather condition in Champagne, cool climate growing season with minimum disease risks. Temperature increased in the last few weeks before harvest resulting in fruits with fine acidity and great concentration. According to Decanter, it is a 5/5 vintage and the wines are real keepers.

La Grande Année 2008 is a blend of grapes from 18 crus (villages), with 71% Pinot Noir and the rest being Chardonnay, it is the second vintage with the highest Pinot in the blend, just a little less that the 1979 vintage with 75% Pinot Noir. True to La Grande Année’s style, the wine was fermented in small aged old barrels giving it a round and rather rich mouthfeel, which is supported by layers of aromas from floral to exotic spices and fresh acidity, thanks to its 9 years of less ageing.

Bollinger’s Export Area Manager Bastien Mariani explained that Bollinger is all about craftsmanship and gastronomy. To illustrate this, we were treated a 4-course lunch at Clipper’s in The Peninsula paired with standard bottle and magnum La Grande Année 2008. Wine evolves slower in big bottles. The magnum is livelier while the standard bottle, still fresh but with an earthy undertone. According to Bastien, magnum complements lighter flavoured dishes while standard bottle is best served with stronger flavoured dishes. The magnum with langoustine carpaccio was excellent. The standard bottle was paired with the roasted quail, which was pleasant, but together with the sauce was a touch too powerful even for this manly James Bond champagne.

Another point that Bastien mentioned was that champagne (or sparkling wine made in traditional method) has two lives. The fist was before disgorgement when the wine develops its complexity and the second life starts after disgorgement when freshness and acidity come into play. Because of this, Bollinger now puts the disgorgement date on the back label of La Grande Année 2008. A more recent disgorged sparkling wine will be fresher than the one that has been disgorged for a while. Therefore next time you buy premium champagne for cellaring, it’s best to get those with a later disgorgement date - if it is mentioned on the label.

I haven’t tried a lot of 2008 vintage champagne but judging from Bollinger La Grande Année 2008 and various reports, 2008 is certainly worth keeping. Bollinger is available from Jebsen Fine Wines.

Luce - the brand, the style, the wine

Attending the Luce’s 20th anniversary dinner in Hong Kong was a privilege and the occasion was made even more memorable because it was hosted by Erika Ribaldi, its cheerful Asia Export Manager.

Luce is one of the brands of the Frescobaldi family. It is a super Tuscan wine made from Merlot and Sangiovese in Montalcino created by Robert Mondavi and Vit
torio Frescobaldi back in 1993. Although the Fescobaldi family took full control in 2005, Luce still remains a vision shared by the two families and a harmonisation of the Old and New Worlds — Sangiovese gave the finesse and structure while the Merlot filled it with opulence and fragrance. There is no doubt on the quality of Luce but I was more intrigued by its marketing effort and its brand power.

Luce is more than just a wine. It has evolved into one of the most creative brands that embraces the chic Italian design and fine quality. Its distinctive logo, a sun surrounded by tongues of flame, can be found on glassware, furniture and even cheese (yes, we were served this at dinner). It also has a couple of restaurants, one in San Francisco and one in Bangkok, under its name. The main course of the dinner was served on a Luce’s plate.

At the dinner, Erika was wearing a series of golden tattoos (albeit temporary), one of which was a necklace with the Luce’s radiant sun. I’m sure it could be developed into another successful Luce’s line of accessories.

The appeal of brand is most prominent in Japan. With 6,000 bottles per year or 50% of its Asian sales, it is Luce’s biggest Asian market. 80% of the customers are female, who are attracted by Luce’s elegant and stylish brand. Erika said the Japan market can still grow bigger but unfortunately with only around 80,000 bottles produced annually, the wine is on allocation only. To celebrate the 20th anniversary, Luce has made 10 exclusive gift box consisted of all 20 vintages, two of which are available in Japan.

I’m not saying that all wine brands have to follow Luce’s approach, and certainly not many brands have the resources to extend their names to other products. However, it demonstrates that a more consumer-oriented lifestyle strategy, backed by good quality, does take the brand closer to consumers and thereby increasing sales. Terroir and technical details are relevant and important but sometimes, a little personal touch may just differentiate a brand from the crowd.

Luce is available from Jebsen Wines

Penfolds RWT vertical tasting

Peter Gago, chief winemaker of Penfolds, was in town again, this time to conduct the first ever full vertical tasting of Penfolds RWT from the first vintage 1997 to the latest 2012, a total of 16 years.

RWT stands for ‘Red Winemaking Trial’, the code name given to the wine when it was developed in 1995 by then winemaker John Duval to complement Grange, or in Peter’s words, to protect Grange. Penfolds’ belief is that as time goes, customers’ tastes and preferences change but instead of changing the style of wine, Penfolds develop a new style for the customers’ changing palate: Grange is Shiraz made from grapes sourced from multiple vineyards and aged in 100% American oak; St Henri is also from various vineyards but aged only in old French oak while RWT is a single vineyard wine aged in partial new French oak.

RWT is not trying to be French, but rather, it is a modern wine that combines the power of Barossa Shiraz with Penfolds’ winemaking philosophy and the old style European structure. The vines are old with average age around 70 years (the oldest ones are over 100 years). The fruits are therefore concentrated thus the wine does not require too much extraction. Like Grange, the wine finishes fermentation barrel, meaning than it is pressed off skin and transferred to barrels when there is still some sugar, and does not have any post-fermentation maceration to extract more tannins. This makes the wine accessible even in youth but also has the  potential to age a long period because of its concentration.

Vertical tasting of single vineyard wine is compelling because not only can one taste the evolution of wine over time, one can also taste the weather. It is true that Barossa’s weather is much more consistent than wine regions in Europe so vintage variation is not as marked. Still, a couple of wines did stand out: 2008 has more sweet fruits and caramel aromas suggesting it was a warmer vintage; while 2011 has the pronounced violet and perfume that reflects the cooler weather. For me, I was most impressed by the ageability of the wine. The 18 year old 1997 vintage has a long length and is drinking well now with a mix of sweet berries and savoury notes.

In the case of RWT, you may also taste the winemakers’ fingerprint. The first six vintages from 1997 to 2002 were overseen by John Duval while Peter Gago took over since 2003. Annette Lee, fellow wine writer, insisted there was a stylistic difference between 2002 and 2003, that the former was elegant but in a sad way whereas the latter was more vibrant. Hmmm, perhaps the young Peter did inject some energy to the wine?

Penfolds is available from Jebsen.

An interview with Peter Gago

All wine lovers will have heard of Penfolds, one of the most popular brands in Australia, and its Penfolds Grange is among the iconic wines of the world. I had the opportunity to meet Peter Gago, the fourth Chief Winemaker of Penfolds since 2002 and with Penfolds for 25 years, to learn what lies behind the brand and its wines.

2014 has been a significant year for Penfolds. It is its 170th anniversary, the 60th year of consecutive releases of Grange, and the inaugural year of the Penfolds Collection. Founded in 1884, Penfolds is only a few months younger than Krug, Peter’s favourite Champagne house. Therefore it is with some justification that Peter argues Penfolds is not New World.

Max Schubert

Grange was developed in 1951 by Max Schubert, the first Chief Winemaker, after he visited Bordeaux and was inspired to create a red wine to rival the finest Bordeaux. Unfortunately Penfolds management order him to stop producing Grange in 1957 because of poor reviews. Max, however, continued to make it secretly and in 1960 the management realised its potential and instructed him to restart production. It is thanks to Max’s commitment that we are able to enjoy the 60th release of Grange today.

The grapes for Grange are sourced from a number of vineyards. Peter considers that in this way he can have the best fruit every year rather than being at the mercy of mother nature, although he admits that 2010 was a particularly difficult year with only one quarter of the normal production—about 9,000 12-bottles cases, were made. He further points out that champagnes and ports are all made from grapes from multi-vineyard sites so as to maintain the house style and consistency, and he sees Grange as no different.

Grange has always been Shiraz dominated and aged in 100% new American oak. It is full-bodied and rich with maximum extraction. Nevertheless, consumers’ palates change as time goes by. Asked if there was a pressure to change the Grange style, Peter said there are always wine lovers in the world who can’t get enough of Grange, but at the same time he acknowledges the diverse palates of consumers and that is why Penfolds makes different styles of Syrah,notably St Henri and RWT. St Henri is a 100% Syrah aged in old oak cases resurrected by John Davoren in the early 50s, after Penfolds bought the defunct Auldana Vineyard that first made the wine. Then, in 1997, Penfolds developed RWT (Red Winemaking Trials), a 100% Shiraz from a single region aged in 100% new French oak. According to Peter, St Henri is the classic style that came to be viewed as old-fashioned in the 70s, while RWT can be seen as the contemporary version of Grange.

The three wines are definitely different. Using the analogy of sport, I would say Grange is a rugby player, sturdy but not clumsy, while RWT is a tennis player, graceful yet full of strength and St Henri is a marathon runner, elegant and enduring. Well, Penfolds is blessed with both the resources and the vision to make different wine styles to suit most people’s palate.

Block 42 vines

Not all wines from Penfolds are from multi-vinevards though. Peter explained there are three categories of wine at Penfolds, First there are single vineyard wines that reflect the sense of place, such as Magill Estate Shiraz with only 5.2ha of vines and Block 42 Kalimna Cabernet Sauvignon from pre-phylloxera vines planted in the mid 1800s, the world’s oldest continuously producing vines. The second category is single region wines that showcase the region’s typicity, such as RWT Barossa Valley Shiraz, Bin 128 Coonawarra Shiraz and Reserve Bin A Chardonnay whose grapes are sourced exclusively from the Adelaide Hills. The final category is the house style where grapes come from different regions every year. The iconic Grange, St Henri and Bin 707 Cabernet Sauvignon all fall into this category.

Probably some wine lovers, like myself, are confused with Penfolds’ Bin numbers. Peter clarified that the bin numbers originally simply identified where the wines were stored in the cellars. It was an internal reference that somehow made it to the label. He reckons naming the wine after bin numbers is not a bad thing in Penfolds’ case as there are so many wines in the portfolio. It is easy to name one’s first or second child but it gets harder after the third of fourth. Anyway, alongside each bin number is always the region (if the wine is a single-region wine) and grape variety so it is not as confusing as it seems.

Peter Gago was a mathematics and chemistry high school teacher before passion brought him to study winemaking. He thinks his training as a teacher helps in his role at Penfolds, especially the communications skills that help him to build the team. Probably that’s why Peter is truly an ambassador of the brand. Apart from January to May, which is harvest time and a no-fly period, he is on the road most of the year, conveying the Penfolds message to wine lovers the world over. Peter welcomes everyone to visit him in Adelaide—just make sure you go when he’s not travelling!

Penfolds is available from Jebsen.

Wine HK, the second running

What a great way for wine lovers to end the year: a wine fair in balmy weather under the new Ferris wheel on the Central Harbourfront.

Compared to Wine & Dine, where visitors were mainly interested in food—long queues at the food counters but not at the wine booths—Wine HK was certainly more wine focused. Yet it managed to avoid the stiffness and time constraints of some wine tasting events. Consumers wandered around the semi-outdoor venue and tasted wine at their own pace, pausing for a bite at one of the eight food booths serving round-the-globe delicacies from yakitori chicken to steak sandwiches, before tasting more wine, all the while listening to festive music—although I have to admit the music bit could have been improved.

Courtesy Wine HK

Over 800 wines were presented by 33 companies. Some importers such as Links Concept, Jebsen, Montrose and Victoria Wines featured a range of wines covering several countries while others, including Chilled Wines, Red Mill, Schmidt Vinothek and wine ‘n’ things, focused only on one country or a couple of brands. Most visitors were clearly wine lovers and keen to know more about the wine they were tasting. There was also a VIP lounge furnished by Timothy Oulton where visitors could relax and enjoy some more exclusive wines.

Wine Times HK and Mumm, the official media and champagne partners respectively, ran a sabrage challenge where visitors learnt the trick of how to open a bottle of champagne with a blade. It attracted a crowd of eager triers, mostly ladies (somewhat surprisingly) including myself, surrounded by male-dominated onlookers. The best part of this challenge was drinking the champagne afterwards—12 bottles on Saturday! In addition, there was a Tasting Championship and Information wine sessions where visitors could do blind tastings and learn more about wine in general. Visitors could also vote for their favourite wines.

What I liked about Wine HK was the atmosphere. It was about lifestyle, fun, interaction and good quality wine without breaking the bank. That is certainly in line with my own ideas about promoting wine culture—letting consumers enjoy and learn about wine without pressure. Even Henry Tang paid a visit on Sunday. Judging by his conversation with Jeremy Oliver, Australian wine writer, Mr Tang seemed to approve of the event.

What’s more, all wines carried about a 20% discount off retail price and most were within the HK$100 to $300 bracket. Even wines in the VIP Lounge were affordable with most between HK$300 and $500 per bottle. I particular liked the concept of consolidated shopping and delivery. Instead of having to buy a minimum amount from one importer (usually about $1,200) in order to enjoy free delivery, visitors could pick as little as one wine from any given importer then pay a $90 delivery charge for a combined delivery of all their purchases. This encouraged purchases without jeopardising the sales of any importer. I bought over 30 wines from 12 importers! The organiser has yet to release the statistics but I could see there was quite a number of keen buyers.

Courtesy Wine HK

Understandably, there were a couple of things that I felt could be improved. The VIP lounge was by invitation only, but no one, including exhibitors, seemed to know how the system worked and who might got invited. I walked straight in unchallenged on the first evening, was refused entry the second day and was invited back in on the third! Actually, I’m not sure if a VIP Lounge is really necessary as the wines featured were mostly not much more expensive than those in the main area. As an alternative, perhaps visitors could pay an extra fee at the door to gain entry so at least serious wine lovers and buyers without invitations would not miss out. The other minor point was the two storey layout. Some visitors, although a minority, thought the whole second storey was for VIPs only and were not aware there were a lot more general tasting booths up there. I myself directed quite a few consumers to go upstairs.

Anyway, despite the flaws, Wine HK is definitely a worthwhile consumer event that I hope will become a signature over time. I’m looking forward to its third running.

Note: According to the organiser's Facebook post on 23rd December, there were 3,500 customers who together bought 24,000 bottles from 89 booths, an increase of 300% from the previous year. There were delivery hiccups (I experienced it myself) but nevertheless an encouraging result.

White pepper Syrah

The intense white pepper from the Craggy Range Syrah that I tasted in their cellar at Gimblett Gravels back in 2008 was so pronounced that I finally understood why Syrah is so often characterised as smelling of white pepper. Since then, I have always kept an eye out for Gimblett Gravels Syrahs and they have not disappointed.

This distinctive aroma can be attributed to the combination of the gravelly soil and the climate—free draining, warm days and cool nights. It is more akin to the Northern Rhone style than the full-bodied, jammy Shiraz from warmer regions. However, being New Zealand, the wine is more vibrant than Hermitage. To me, it is a perfect combination of climate, soil and winemaking technique.

At last year Gimblett Gravels Annual Vintage Selection tasting, Tony Bish, Chairman of  the Gimblett Gravels Winegowers Association, presented 12 wines—eight red blends and four Syrahs independently selected by Andrew Caillard MW—that best represented the vintage and the region. I was particularly impressed by the William Murdoch and Vidal Legacy Series. A couple of attendees remarked "... Gimblett Gravels is a fresh spring for me", and "...it was exciting to taste so many promising Syrahs from the region". I couldn’t agree more.

If anyone is scratching his head about how to identify white pepper in Syrah, get a Gimblett Gravels Syrah and you’ll never forget it. It is my favourite Syrah!

Once dismissed by sheep farmers as useless land, the Gimblett Gravels Wine Growing District is an 800ha vineyard area strictly determined by the gravelly soils laid down by the old Ngaruroro River in the Hawke’s Bay area of of New Zealand’s North Island. Believed to be the first designation for a winegrowing district outside Europe, it is now home to around 30 vineyards and is quickly gaining fame in the wine world.

Not to be outdone by the district's Syrahs are its Bordeaux blends. They have the structure of a cool climate region but again with a New World fruit forwardness that many have described as elegant and sophisticated. Although some of the wines at the tasting were too young to drink, they nevertheless had concentration and ageing potential. Asked if the wines were released too early, Tony agreed but said the wines have been kept for two years and most wineries cannot afford to store them for longer because they need the space and the cash for the new vintage. He hopes consumers can cellar the wines for a while to realise their full potential. Well, I suppose we have to be a little patient.

The wines we tasted were:

Blended reds (Merlot or Cabernet Sauvignon dominant):
Babich The Patriarch, available from Watson’s Wine
Craggy Range Te Kahu, available from Montrose
Esk Valley Winemakers Reserve Merlot Malbec Cabernet, available from Summergate
Mills Reef Elspeth Cabernet Merlot, available from Northeast
Newton Forrest Stony Corner, available from Kerry Wines
Sacred Hill Brokenstone, available from Jebsen
Sacred Hill Helmsman, available from Jebsen
Trinity Hill The Gimblett, available from ABS Asia

Syrah:
Squawking Magpie Stoned Crow
Vidal Legacy Series, available from Asia Euro
Villa Maria Reserve, available from Summergate
William Murdoch, available from Vintage International

Riesling: The taste of slate

‘Riesling is the medium to express the soil and terroir’ said Reinhard Löwenstein, from the 13th generation of Weingut Heymann-Löwenstein in Mosel (to be exact, Terrassenmosel, Terrace Mosel), Germany, during last week's tasting of eight of his Rieslings. All eight were vinified in the same way but with grapes from a number of vineyards with differing soil and slate compositions. Riesling grown on blue slate has mineral, lemony notes while that grown on red slate has a more rounded mouthfeel. Riesling on darker stone, on the other hand, displays more yellow fruit aroma, mellower acidity and less minerality. I like his philosophy of comparing wine with music: mass market wine is like CD and great wine is opera. Music lovers listening to CD for a while may like to listen to opera, just as wine lovers might trade up and appreciate the quality of hand-crafted wine eventually. My favourites were the 2009 Stolzenberg Grosses Gewachs (Grand Cru) and 2009 Uhlen Grosses Gewachs Laubach.