More than just wine

Usually I am not that forgetful but after reading the information The Gourmet Wine Club sent to me on the Spanish winery Más Que Vinos and decided that it could be an interesting event, I forgot to rsvp for the dinner until the night before. Luckily, Alfred, the owner, was accommodating and even had me sat next to winemaker/owner Alexandra Schmedes. It turned out to be an very enjoyable evening.

Alexandra (in black) and partners Margarita and Gonzalo

Alexandra is German. While working at a winery restaurant in Constantia in South Africa, she decided that she wanted to change career so walked across to the cellar and started learning wine. Since then, she has made wine in France and Italy. She moved on to Spain in 1998 and met Margarita Madrigal and Gonzalo Rodriguez. The three winemakers, at that time consulting to various wineries, decided to make their own wines and created their brands using local varieties in Castilla La Mancha, a winegrowing region that was underestimated and with a poor reputation for quality wines. Más Que Vinos (more than wine in English) was thus born in 1999.

Castilla La Mancha is a plateau south of Madrid which extreme continental climate and producing nearly half of Spain’s wine. It is the home of Airén, the most widely planted grape variety in Spain and one of the few grapes that can cope with the extreme cold and dry conditions of the Meseta (plateau). A neutral variety, the majority of Airén is used in brandy production. Therefore, one could imagine the challenges Alexandre and her partners faced to make quality wine there.

Their efforts paid off. Careful management of old bush vines (some over 80 years old), restricting the yield to less than 4 tons/ha, organic farming, fermenting grapes in amphorae some dating back to 1851 thanks to Gonzalo’s family and the subtle use of oak result in wines that are expressive and balanced.


Ercavio is their first brand consisted of a Blanco (white) made from 100% Airén, a Rosado (rosé), Tempranillo Joven and Tempranillo Roble all made from 100% Tempranillo (known locally as Cencibel). The name Ercavio is derived from Ercávica, a Roman city in Castilla La Mancha where wine was made some 2,000 years ago. We tried the Blanco and Tempranillo Roble. Both were pleasant. The Blanco was particularly impressive and definitely a different league from the many mediocre Airéns in the market. The Tempranillo Roble was aged only six months in two years old French barrel to spice up the wine without overpowering the fruits. I also like the labels, each with different colour wine drops to indicate the style of wine. To illustrate, Tempranillo Joven with no oak treatment has brighter red drops to emphasise the vibrant characters, while Tempranillo Roble’s is darker purple drops that match with the added complexity. The labels stand out, are user-friendly and effective. With retail price at around $100/bottle, I believe Ercavio could breakdown the barrier and attract occasional drinkers to enjoy more wine.

Moving up is the Special Editions series with limited production. El Señorito is 100% Tempranillo from a single vineyard that Alexandre said is the most difficulty vineyard to work with but rewarded them with exceptional fruits. Only 800 bottles were made in 2011. The last one we tried was La Plazuela, a blend of Tempranillo and Garnacha. These 60-80 years of vines yield less than 2 tons of fruits per hectare, resulting in a concentrated yet elegant wine that can stand the test of time. It was sublime with the slow roasted Segovia style suckling pig skilfully prepared by Chef Jesus at Olé Spanish Restaurant.

Chatting to Alexandra made me envy her life. I would have loved to be in her shoes 18 years ago, to have the courage to turn the dream into reality and never look back...

Más Que Vinos is available from The Gourmet Wine Club.

Marqués de Riscal - Tradition and Modernity

Great afternoon sunshine at the tasting, View 62

As much as he is proud of the wine, José Luis Muguiro, one of the owners of Marqués de Riscal, is also proud of the history and development of the estate, founded in 1858 and one of the oldest wineries in Rioja.

First the wine: the grapes come only from the Rioja Alavesa region, the best sub-zone in Rioja with vineyards at up to 800m altitude. Apart from the traditional grape varieties of Tempranillo, Graciano and Mazuelo, Marqués de Riscal has also planted Cabernet Sauvignon since 1858 and is one of the very few wineries that are allowed to have Cabernet Sauvignon in the blend. And it was precisely because the quality of its Cabernet Sauvignon so impressed Paul Pontallier, the then technical director and now managing director of Chateau Margaux, that in 1998 he agreed to become a consultant to Marqués de Riscal in charge of blending its top range. The Barón de Chirel 2006 we tasted, with 10% Cabernet Sauvignon in the blend and aged in French barriques, clearly has the footprint of a Bordeaux. It is, according to José, a wine that combines tradition and modernity.

In addition to the Frenchman, the estate has also secured the help of Frank P. Gehry, a renowned Canadian architect who designed the Guggenheim Museum in Bilbao, to design the ‘City of Wine’, a colossal project that combines tradition and innovation in the heartland of Rioja. The wavy titanium roof of pink, gold and silver houses a hotel and the oldest cellars of Marqués de Riscal. On this occasion, it was not Cabernet Sauvignon but a bottle of Marqués de Riscal 1929, the birth year of Frank (probably with some Cabernet in the blend), that charmed him to agree to take on the project.

And the next big plan? José has decided to call on all international help. Marqués de Riscal plans to invite 10 people, one from each of 10 different countries—the US, the UK, Japan, China, Hong Kong, to name a few—for a 3-day vertical tasting of Marqués de Riscal dating back to 1858 (the founding year). The tasting notes and comments of these experts will be made into a book commemorating the estate. The guests are not finalised yet apart from Japan’s. No doubt a few of our friends in Hong Kong and China will be jockeying for an invitation. I wonder who will be the lucky ones.

Marqués de Riscal is certainly far-sighted. It was the first to produce white wine in Rueda, and in 2011 held an auction of 100 vintages in Beijing. Like many big and long-established companies, it had its downs in the 1980s but has since transformed in the 21st century. Let’s hope it will continue to reinvent itself over the next 150 years.

We also had a vertical tasting of Marqués de Riscal Rioja Reserva 1997, 1998 and 1999. The 1998, coincidentally without any Cabernet Sauvignon in the blend, was voted by most as their favourite of the day.

Marqués de Riscal is available from ASC Fine Wines.

Rioja: American or French oak?

Classic Rioja is aged in American oak to develop the soft and mellow structure with a hint of vanilla. Especially for the reserva and gran reserva, there is the mushroomy, olive bouquet thanks to spending a long time in American oak barrels and in bottle. In the face of competition both from the New World and within Spain (Ribera del Duero, Priorat), some Rioja producers are making more modern style wines with higher fruit concentrations, and ageing them in French wood. The wine is more powerful, more spicy and usually a shade darker.

To find out more about the region's use of barrels, I attended the 1st Grand Tasting of Rioja Wines where some 60 Rioja producers showcased their wines. It was very interesting talking to the producers. The traditional camp insisted that they will never use French barrels because Tempranillo, the major variety in Rioja, expresses itself most fully in American oak, and the wine would lose its flagship identify—sweet red fruits, gentle and easily appreciated characters—in French barrels. One producer even has its own cooperage to import American oak and make its own barrels. In the other camp, however, producers claimed it is about the evolution of Rioja over time. One critic even went further, saying it has historically been mostly a matter of cost saving, since American barrels cost much less than French.

The truth, I concluded, is that it is all about satisfying consumer preferences. Many of today's consumers, accustomed to New World styles, prefer the deeper-flavoured French oak aged Rioja. Sensing the division, some producers offer two lines: one using American oak and the other French. Some even age a single wine in both oaks (either blending them together after ageing or first ageing in French oak and then American, or vice versa). One whom I talked to was from the traditional camp but is nevertheless adjusting his style: he makes a modern style Rioja still using American oak but with alterations to winemaking techniques such as maceration time and fermentation temperature.  

There are many different styles of Rioja. They are classified by their time spent in barrels and ageing period. Joven may spend no or only a few months in barrels; crianza must spend a minimum of 12 months in barrels and 12 months in bottle; reserva a minimum 12 months in barrels and 24 months in bottle and gran reserva 24 months in oak and 36 months in bottle before being released.

So how do you know which style the wine is? The back label will distinguish joven, crianza and reserva but may or may not indicate French or American oak. So look at the overall packaging. American oaked Rioja tends to have traditional labels and packaging such as the gold netting, while the French oaked styles will usually sport a more modern front label.

For me, I found some of the modern styles too ambitious with the French oak; I prefer the more subtle and elegant classic style. But this is a personal choice and can also depend on the occasion. Find out for yourself which you prefer. As always, in the end you can only find out by tasting.

These are the wines I tried:

La Rioja Alta: Classic style, American oak only. China distributor: Aussino
Paternina: American oak only, but Banda Azul is a modern version aged in American oak
Bodegas Izadi: Classic style but aged in a mix of French and American oak barrels
Bodegas Orben: Modern stye using French oak only (same owner, Group Artevino, as Bodegas Izadi)

Spain, more than just Tempranillo

Spain has been quite active in Hong Kong lately. Less than a month after José Peñin’s visit to promote his Peñin Guide to Spanish Wine 2011, the Spanish were back in town for the first Grand Tasting of Top Wines from Spain, led by the President of the Rioja DOCa Regulatory Board, Victor Pascual, with whom I had an interesting discussion.

Victor emphasised that Tempranillo is now recognised as one of the world's noble grapes and in recent years has been the most widely planted variety in a number of countries. He said Tempranillo’s personality is closely linked to the territory in which it is grown, and it reaches its fullest expression in Rioja. Moreover, oak, whether American or French, new or old, is an integral part of Rioja, giving wines from the region their individual characters. Rioja wine is balanced in terms of alcohol level, acidity, body and structure. Its easy-to-drink character is a safe choice for consumers and matches a wide range of cuisines. If Tempranillo is the national grape of Spain, then Rioja must surely be the national wine.

Great as Tempranillo and Rioja may be, one should not forget other Spanish varieties and regions. Grenache (Garnacha) and Carignan (Mazuela) are the silent partners of Rioja, giving the wine a fruitier profile, brighter colour and higher acidity. Grenache and Carignan are also the stars in Southern Spain where it is too hot for Tempranillo. Priorat gives them their fullest expression as most grapes come from old vines.

I always think Spanish white wine is under-rated. Albarino from Rias Baixas has pleasant, non-pungent aromas, good acidity and texture and is versatile enough to pair well with many medium intensity dishes.

Of course we should not forget Sherry. It has never been a big thing in Hong Kong but I particular like the lighter Fino and Manzanilla styles, which are great aperitifs and refreshing after a whole day of wine tasting. In London a few sherry tapas bars have sprung up, serving only sherry. I would love it if there was a similar bar in Hong Kong in the near future.

Last but not least, a good quality Cava is always an alternative to Champagne. At Wine Future, I tasted a very good one, Segura Viudas Reserva Heredad with up to four years on lees, and was told that it was retailing at Watson’s Wine for only $198! Stock up quick, before they increase the price.

I only tried wines from three producers at this tasting. Big tastings like this are more like social events. It took me two hours to walk from one end of the room to the other and I was exhausted from talking, not tasting. Anyway, the wine that stood out was Pago de los Capellanes Parcela ‘El Nogal’ 2005, 100% Tempranillo from Ribera del Duero. It is vibrant, concentrated, with a long length but not heavy. Available from Ponti Wine Cellars.

Flagship wine: ambassador or juggernaut?

What is the wine or grape that first springs to mind when someone mentions France, Spain, Argentina or New Zealand? Bordeaux, Tempranillo, Malbec, Sauvignon Blanc? These are considered the flagship wines of those countries, the ambassadors. But do they really bring value to their motherland's wine industry? Or do they shine so bright that they stultify it?

You can argue it either way.

Start with Italy. It has over 350 indigenous grapes, but the one variety that is its claim to fame is Sangiovese, used in so many great wines from Chianti and Brunello di Montalcino to the Super Tuscans. Sangiovese brought the world’s drinkers to Italy and introduced them to its many siblings—Nebbiolo, Aglianico, Pinot Grigio and more. Today, consumers everywhere appreciate the diversity of Italian wines, but they still pay respect to Sangiovese.

Like Italy, Portugal has over 300 native grapes, but it does not promote any particular variety in the international arena. The fact that one grape often has different names depending on where it is grown (north, centre or south) doesn’t help. As a result, perhaps, Portuguese wine has little recognition outside Portugal even today (except Port and Mateus Rosé). A few years ago, ViniPortugal decided to start marketing Touriga Nacional as the national grape, hoping it would achieve similar status to Sangiovese and bring the world to its many other wines. We are still waiting to see the results.

Most will agree that Tempranillo is Spain’s flagship grape. But what about Grenache (Garnacha)? It is an important variety in Rioja where Tempranillo gained its fame, and produces the expressive and concentrated wines of Priorat and the south. In fact, Grenache has more characters than Tempranillo as a varietal, yet it always seems a few steps behind.

Sauvignon Blanc, specifically from Marlborough, put New Zealand on the world wine map. Now every wine region outside New Zealand wants to produce a similar style of Sauvignon Blanc. However, this flagship grape has been so successful that all other great New Zealand wines are living under its shadow. The average consumer—and I am referring to the average, not those in the wine circle—is not even aware of Otago Pinot Noir, let alone the wines of other regions.

Chile is known for offering the best value in several international grape varieties: Cabernet Sauvignon, Merlot, Chardonnay. Yet it struggles to establish an identity. Conversely, its neighbour Argentina is, in a sense, better positioned in the world wine market because of its flagship grape, Malbec.

So, is having a flagship wine or varietal a good or a bad thing?