Tahbilk: Something out of the ordinary

Not too many wine lovers are overly excited about tasting Australian wine (including myself), but how wrong this attitude can be! I had the opportunity to taste some very fine wine from Tahbilk, one of the members of Australia’s First Families of Wine, and it was just mind-blowing.

Alister Purbrick, the fourth generation and chief winemaker of Tahbilk was in town and shared some of these very rare wines with members of the Hong Kong Wine Society. They were:

Tahbilk Marsanne: 2013, 2011, 2007, 2002, and 1999
Tahbilk 1927 Vines Marsanne: 2005, 2003 and 2000
Tahbilk 1860 Vines Shiraz: 2008, 2003 and 1999

Most people regard Marsanne as the lesser partner of Roussane. I had tried a few 100% Marsannes before and didn’t really think much of them. I had heard of Tahbilk, and that it has the largest planting of Marsanne in the world, but had never tried the wine, so I was really looking forward to the tasting.

By the way, Tahbilk also has some of the oldest vines in the world. The 1927 in Tahbilk 1927 Vines Marsanne is the year when the vines were planted (87 years ago). The vines for the Tahbilk 1860 Vines Shiraz are 154 years old.

As usual with Hong Kong Wine Society tastings we didn’t know the order of the wines, and Alister wanted us not only to identify which three Marsannes were made from the older vines, but also the vintage of all of them. His hint to us: the entry level one was made at low temperature in stainless steel tanks to retain the flavour, while the 1927 Vines was picked early to retain the acidity, fermented with no temperature control and relied on bottle age to develop into a complex, textural and mineral-rich wine somewhat similar to a Hunter Valley semillon.

Both Tahbilk’s Marsannes were indeed full of surprises. Instead of being alcoholic, fat and bland, they were light, refreshing and delicious. The younger ones were more on the floral and citrus part of the spectrum, gradually evolving into a spices, honeysuckle and dried fruits bouquet as the wine aged. The 1927 Vines Marsannes were crisp, mineral and delicate. If I have to use one word to describe them, it would be 'elegant'.

The 1860 Vines Shiraz is even rarer. Tahbilk used to produce about 200 dozen back in 2007 but the vines never really recovered from a frost attack and now the production is only about 100 dozen. After maturing in oak for 18 months, the wine is further aged for four yeas in bottle before release. Again, it is elegant and complex. The 2008 is too young to drink and the 2003 still has a long life ahead.

Apart from the wine, Alister is equally proud of his conservation efforts. Through re-vegetation and investing in carbon reduction schemes, Tahbilk first achieved carbon neutral status in 2012. Alister’s aim is for the operation to be naturally carbon neutral (ie, no offsetting of carbon emissions) by 2020.

Tahbilk is located in the Nagambike Lakes wine region about 90 minutes drive from Melbourne. It is the only wine region in Australia (and one of only six in the world) where the meso-climate is influenced by an inland water mass. The soil is also unique because of its high iron oxide content. Wine is an expression of place, and Tahbilk wine certainly reflects its terroir—an interaction between climate, soil, vines and the dedication of the people.

Tahbilk is available from Armit Wines, limited stock only.

Thanks to Chris Robinson for introducing Tahbilk.

It’s a Revolution!

Swartland Independent? Most would assume it must be a bunch of arty people, radicals, rebels against big corporations. It turns out to be so much more.

Swartland Independent is a bunch of wine producers from the Swartland in South Africa, just over one hour’s drive north of Cape Town, but not just any old bunch. It is a group of like-minded winegrowers who believe in the true expression of the region’s terroir and in wines having their own identities.

The Swartland, like Stellenbosch, is a wine district in South Africa. Any wine made with grapes grown there can be labelled ‘Wine of Origin Swartland’. But to use the ‘Swartland Independent’ logo, producers must adhere to a set of viticultural guidelines with priority given to the conservation of old vines. The wine must be produced with minimal manipulation, with no use of commercial yeasts or enzymes, no added tannin or acid, and must not be chemically fined. Moreover, Swartland Independent believes that heavy oaking ‘masks’ the essence of grapes, so no more than 25% of a wine may be aged in new wood, and the wood must be of European origin. There are also guidelines on grape varieties. For whites, 90% must be Chenin Blanc, Marsanne, Roussane, Viognier, and specified others, while for reds, 90% must be Syrah, Mourvèdre, Grenache, Cinsault, and more. Commercially popular varieties such as Cabernet Sauvignon, Merlot, Chardonnay and Sauvignon Blanc are not permitted. The producers believe planting grapes on unsuitable terroir only results in wine with inherent limitations.

The result? Rhone blend wines from this Mediterranean climate in the Southern hemisphere. The wine is all about natural balance, freshness and purity.

The Swartland has some of the oldest bush vines in South Africa but viticulture was long in the back seat as this is traditionally a grain-producing area. Wines were robust and mostly fortified until a new generation of winemakers who believe in making wine that is a true expression of its origin went there to hunt for parcels of old vines.

Eben Sadie, one of the leaders of the movement, firmly believes in the diverse soils that the Swartland offers: decomposed granite in the Paardeberg Mountain, clay soils with iron similar to those in the Barossa, slate and schist, calcareous soils, sandstones from Table Mountain and alluvial soils like those found in Graves. It is a canvas upon which grapes can express their true sense of place. Eben praises bush vines with their 360º orientation towards the sun that helps avoid the excessive sun or shading of bunches that can occur on trained vines. And he expends the same effort in the winery. For years, he experimented with fermentation in amphorae underground, a Georgian winemaking tradition, with varying degrees of disaster until he finally mastered the skill. He is now extending the winery to accommodate a few amphorae. I am looking forward to trying those wines in a few years.

Swartland Independent has just over 20 members, all family businesses. Some of them, like Adi Badenhorst, ex-winemaker at Rustenberg, gave up their jobs in prestige wineries, while others, like Donovan Rall, still work for established producers but also make some wines of their own. Mullineux is an international team led by Chris Mullineux from South Africa and his wife Andrea from San Francisco. All of them, hands on in both vineyard and winery, gather in the Swartland to live their dreams of making passionate wine. Naturally, none of them has a big production. David Sadie (no relation to Eben) has just one barrel of 400 bottles for his Grenache Noir.

To attract the attention of wine lovers and to revive the image of the region, Swartland Independent organises an annual weekend event called The Swartland Revolution, comprised of tutored tastings, an auction and a braai (South African barbecue) evening that ends with a street-party open tasting. Tickets for last November's event sold out in 52 hours.

I am excited by the development of the Swartland and the enthusiasm of these producers. In the wine world, there are mass produced standardised wines that are clean and consistent but lack soul, and there are the premium wines with matching price tags that can only be a treat once in a while for many. To me, wines like those made by the Swartland Independent producers are wines for the true wine lover. We appreciate the fact that grapes are products of nature, and we embrace the different styles, even the not-so-mainstream funky ones. Above all, we respect winemakers who have the commitment, the passion and conviction to make wine that truly reflects the place.

Luckily, there is no shortage of like-minded producers in South Africa, and in fact in all wine producing countries. We should be bold enough to step out of our comfort zone and try wines from different regions and producers, including smaller and lesser known ones like these. Only then can we truly enjoy this wonderful drink that mother nature makes possible.

The Sadie Family wines is available from Berry Bros & Rudd.
Mullineux is available from Berry Bros & Rudd and Vincisive Wines.